You struck me dumb, Like radium Like Peter Pan, or Superman, You have come... to save me. Come on and save me... Why don't you save me? If you could save me, From the ranks of the freaks, Who suspect they could never love anyone, Except the freaks, Who suspect they could never love anyone, Except the freaks, Who could never love anyone.
American singer-songwriter
Aimee Mann (born September 8, 1960) is an American rock guitarist, bassist, singer, and songwriter, who became famous as the songwriter and vocalist for the new wave band 'Til Tuesday. She began her solo career in the early 1990s and won further acclaim through her work on original songs for the soundtrack to the film Magnolia. She is currently collaborating and touring with Ted Leo in their joint project The Both.
From: Wikiquote (CC BY-SA 4.0)
That bastard making fun of me in front of all my peers
Those people think I own this town, you're stripping all my gears
Well guess what Mr. President, I'll be seeing you
In four years
Though on the campaign trail the papers paint me like a clown
Still all I see are crowds who want to fit me for a crown
I point out all my enemies just so my fans
Bring them down
Isn't anybody going to stop me?
I don't want this job
I don't want this job, my god
Can't you tell
I'm unwell
You try to pin me down but you don't really try that hard
I throw out any shit I want and no one trumps that card
So dazzled and distracted by your fantasy
Of Hildegard
Isn't anybody going to stop me?
I don't want this job
I don't want this job, my god
Can't you tell
I'm unwell
You ask about my plan but baby my plan is to win
I wind up all the tops and watch the others keep the spin
You handing me grenades is just compelling me
To pull the pin
Isn't anybody going to stop me?
I don't want this job
I can't do this job, my god
Can't you tell
I'm unwell
In our endeavor we are never seeing eye to eye;
No guts to sever so forever may we wave goodbye.
And you're always telling me that it's my turn to move,
When I wonder what could make the needle jump the groove.
I won't fall for the oldest trick in the book,
So don't sit there and think you're off of the hook.
By saying there is no use changing 'cause That's just what you are.
That's just what you are.
I don't know how to break the news, but It's pretty clear you'll be asked to choose between What you lack and what you excuse In this tug of war You can't say that they didn't warn you Though you'd rather that they just ignore you Cause your devices are not working for you anymore What you want, you don't know You're with stupid now
I became friendly with [a] bass player. . . .
He told me about this place called the Berklee College of Music, and said that you didn’t have to audition. . . . They had a summer session you could attend; that was “Come one, come all.” So I went there and it opened a lot of doors for me. First of all, the ear training — to work on your ear and learn to hear things you’d heretofore not been able to ascertain, individual instruments, chords and where they went, and remember melodies better . . . I’d just thought, either you could do it or you couldn’t. That plus learning about chord progressions and music theory, and which chords sound good going into other chords . . . that was really a revelation. . . .
So I started applying that to writing songs.
Which were all terrible. But you do it enough, and you get better at it.
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