American writer
Alix Kates Shulman (born August 17, 1932) is a Jewish writer of fiction, memoirs, and essays, and a prominent early radical activist of second-wave feminism in the USA. She is best known for her bestselling debut adult novel, Memoirs of an Ex-Prom Queen (Knopf, 1972).
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It was in 1967, in the midst of that decade of emotional upheaval and political dissent, that I heard the first rumblings of the women's liberation movement. News reached me in my Greenwich Village apartment via the radio, while I was washing the dinner dishes. I was in my thirties, raising two small children and beginning to write. On the air, several fervent young women were discussing the injustice of women's situation in words that spoke directly to me. When they invited their listeners to attend an upcoming meeting of the fledgling movement, I put down my sponge and picked up my pen. Jotting down the telephone number and date of the meeting, in that moment I launched myself into one of the great liberation movements of our time, which profoundly transformed the lives of women worldwide, mine included.
“Looks were an advantage for getting a husband, and getting a husband was everything,” Shulman explains. “You couldn’t even go to upscale restaurants in the evening if you were a woman alone or even two women. You had to have a man with you. It’s very hard for people to understand what it was like then.
Compared to the heavy burden of age I felt in my early thirties-panicked over the impending loss of youth about to finish me off-seventy feels positively young. Remember the 1960s slogan, "don't trust anyone over thirty"? Remember the thirty-year-old admission age to Older Women's Liberation (OWL)? Never have I felt older or more irrelevant than before feminism's Second Wave, when thirty was considered over-the-hill (for women) and the last safe age to begin a family, and your life was supposed to be fulfilled by having babies. Still feeling then like a 1950s middle class Midwestern girl, though living in New York, I retired from full-time work to become a mother; and by the time my youngest started school I was a disillusioned wife with a wandering husband, no savings, no prospects, no future. A has-been at thirty-four! Then the women's liberation movement hit New York and quickly restored my youthful ardor. Suddenly I had a compelling purpose and important work. Far from being a has-been, I knew life had not, would not pass me by. Fired by movement passion, in quick succession I defied my husband, began organizing women's groups, gave my first speech, wrote my first essay and before long first novel. Though that early movement euphoria couldn't last, I never again felt as impotent or "old" as I had before it touched me. In an instant I switched from a woman with a past ("old") to one with a future ("young").
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My inspiration for the novel came from my participation in the first national demonstration of the women’s liberation movement: the 1968 protest against the Miss America Pageant, in Atlantic City, that symbol of traditional white beauty standards. That protest brought women’s liberation to national attention for the first time.
By the early 1980s the explosive phase of the movement was over, at least for the time being-explosive and quiescent phases having alternated for several hundred years. Yet throughout that decade and the following, the ideas advanced by the movement were so warmly embraced by the mainstream that their very success sparked an organized, sometimes virulent backlash (including widespread bombings of abortion clinics and torture of gays), producing what became known as the culture wars.