Why would someone use magic to kill a jazz musician in the middle of his set? I mean, I have my problems with the New Thing and the rest of the atonal modernists but I wouldn’t kill someone for playing it–at least not if I wasn’t trapped in the same room.

You're probably wondering why I decided to grace you with my presence," he said.
Which was true, since DCIs spend most of their life in their offices or, worse, in other people's offices and conference rooms. "Playing," Seawoll once said, "pin the fucking buzzword on the sodding flow chart.

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According to my therapist, attaching conditionals to your past is a classic distancing technique indicating an unwillingness to face your memories directly. Or, I pointed out, it could be a rhetorical device designed to add a humorous note to enliven a story. To which she said, “Or both.” You can’t win with therapists, you know. And even if you do, they just tell you it’s part of the process.

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Back in the summer I’d made the mistake of telling my mum what I did for a living. Not the police bit, which of course she already knew about, having been at my graduation from Hendon, but the stuff about me working for the branch of the Met that dealt with the supernatural. My mum translated this in her head to “witchfinder,” which was good because like most West Africans, she considered witchfinding a more respectable profession than policeman.