Now that they had mobile phones, theoretically it should have been easier to keep tabs on one another. But practically it had not helped. In the first instance you had to remember to bring the bloody thing with you. If you had it with you, invariably one or other of the mobiles was switched off or needed charging. And then, even if you did get through, Stella's phone had some mysterious setting which diverted incoming calls straight to 'Leave a message'. And her phone did not ring. And she did not answer it.

You sit down to your desk and listen to what's inside your head. Things appear suddenly and unexpectedly. I don't mean it's like inspiration or anything like that but, put it this way, you are there with a 3B pencil in your hand should you hear anything good. If you are in a notion of working, the idea takes root and won't let you go. It puts out twigs and branches. These twigs get leaves and thorns and maybe, if you are lucky, blossoms. And fruit. [...] The worst thing that can happen at a time like this is an interruption. When the interruption is over it's very hard to get the same momentum going again.

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In a Portstewart guest house her father liked to play tricks when he had eaten his egg. He would put the shell upside down in someone else's eggcup. The McKennas would sit and watch the next person lift a spoon and cave in the top of the hollow egg.

Sometimes I have difficulty with the avant-garde. There's a gallery in London I've been to and it's difficult to tell what's going on. A bag of nails, a ladder, a hammer - a crisp bag in the corner. Is it an exhibition or are they preparing an exhibition? Is the artist asking me to pay attention to something trivial or important?

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