Over the years there have been times when I’ve been mesmerized by a figure in my imagination that I mistook for someone real. A crush that could have crushed my partner’s feelings. At such a moment, while you may not be in control of who or what is beguiling or besotting you, you are in control of what you do about those feelings. The choices you make. Romantic love can enlarge a person or shrink them. Sometimes the most convincing act of love is to just let someone be who they are. Without you. As a songwriter I am attracted to any territory or subject that’s just out-of-bounds, a someone or something new who might take my imagination by surprise. As a man too. This can be problematic. I can have a crush on a person who doesn’t exist. Ali finds other obstacles in the way of her love. Were there days when both of us might resent the obligations our marriage makes of each other? Sure, but neither of us would want to live outside each other’s love as expressed through this old-fashioned but still functional construct called marriage.

Around that time, when the band was in Australia, I had a recurring voice problem and was advised to visit a doctor with a reputation for helping singers. The doctor had a sense that anxiety explained this constant sore throat rather than, as several of my nearest and dearest had suggested, the cheroots, the alcohol, and the talking into the small hours. It was in my interest to trust the good doctor, and because he also had such good references, I agreed to something I’d never previously agreed to. I allowed him to put me under hypnosis. Well, almost … “Imagine,” said the doctor, “a room with all your best memories around you. Be in the room. Now open the drawer. Find those memories. The best things that have ever happened to you. The affirmations. Your partner, your children, your best friends. A moment that changed your life’s direction. All the best things. Be in that room.

On all the journeys I’ve taken, I’ve sought a guide. Even with the compass of faith I’m looking for the right company for the ride. For some spirit guide physicalized in a person. The sacrament of friendship. I’d first learned about friendship with Guggi and saw how it opened up my life to new possibilities and adventures. I discovered early that I was collaborative by nature. I began to understand that the world is not so scary if, around every significant corner, somebody is waiting to walk with you on the next part of the journey.

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Africa makes a fool of our idea of justice; it makes a farce of our idea of equality. It mocks our pieties; it doubts our concern, and it questions our commitment. Six and a half thousand Africans are still dying every day of preventable, treatable disease, for lack of drugs we can buy at any drug store. This is not about charity: This is about Justice and Equality.

The poetry and politics of the Christmas story hit me as if I were hearing it for the first time: the idea that some force of love and logic inside this mysterious universe might choose self-disclosure in the jeopardy of one impoverished child, born on the edge of nowhere, to teach us how we might live in service to one another is overwhelming. Its eloquence is overwhelming. Unfathomable power expressed in powerlessness. I nearly laugh out loud. Genius. Inexpressible presence choosing to be present not in palace but in poverty.

If you’re going to be famous, sure, be funny, be irreverent. Listen to the shouters as well as the whisperers. But above all, be useful. That was his modus, it always seemed to me, a modus that became a prayer in our family. Simple. Direct. Make us useful, dear God. We’re available. How can we be useful in this world where we find ourselves?

U2’s music was never really rock ’n’ roll. Under its contemporary skin it’s opera — a big music, big emotions unlocked in the pop music of the day. A tenor out front who won’t accept he’s a baritone. A small man singing giant songs. Wailing, keening, trying to explain the unexplainable. Trying to release himself and anyone who will listen from the prison of a human experience that cannot explain grief.

All musical instruments are useful for love and exhortation. Only one is essential for war. The drums. The drums are thin skin stretched tightly over hollow volumes, mostly of wood, which gives them their earthiness, their sexiness. Slapping without the tickling. The hand or the stick bounces across the skin of the drums, throwing the listener forward into a dance, into a physical response. For war, and in particular marching to war, wood was replaced by metal. The snare, as it’s known for good reason, supplies body armor to the already athletic muscular choices available. There is a particular violence built into the snare drum, and the rat-a-tat of a military tattoo was exactly what we were looking for with the opening of “Sunday Bloody Sunday.

Masons, when they start upon a building, Are careful to test out the scaffolding; Make sure that planks won’t slip at busy points, Secure all ladders, tighten bolted joints. And yet all this comes down when the job’s done Showing off walls of sure and solid stone. So if, my dear, there sometimes seems to be Old bridges breaking between you and me Never fear. We may let the scaffolds fall Confident that we have built our wall.

but evidently disappointed. Instead of discovering the source of the vocal problems, he had uncovered the source of the messianic complex. I thanked him because I knew for sure these images were deeply comforting ones from childhood, from the Sunday singing of gospel songs like “What a Friend We Have in Jesus.” In truth, he would never know how he’d opened to me an experience that helped me understand myself. Why I view friendship as a kind of sacrament and how my traveling companion in the way of faith had metamorphosed from the father figure of the Old Testament to the companion and friend of the New Testament.