American science fiction writer
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The continuum had somehow managed to correct the incongruity, pairing off lovers like the last act of a Shakespearean comedy, though just how it had managed it wasn’t clear. What was clear was that it had wanted us out of the way while it was doing whatever it was doing. So it had done the time-travel equivalent of locking us in our rooms.
Contrary to popular belief, the computer graphics revolution didn't kill the musical," the prof said. "The musical kicked off," he paused to let the class titter, "in 1965.…
"The musicals, with their contrived storylines, unrealistic song-and-dance sequences, and simplistic happy endings, no longer reflected the audience's world.
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It is a temporal universal that people never appreciate their own time, especially transportation. Twentieth-Century contemps complained about cancelled flights and gasoline prices, Eighteenth-Century contemps complained about muddy roads and highwaymen. No doubt Professor Peddick’s Greeks complained about recalcitrant horses and chariot wheels falling off.
I'm a scientist, not a psychiatrist. I don't believe dreams have a 'real' meaning. They're a physical process, and any 'reality' they have lies in the physical. Freud made no attempt to understand the physical. He felt the key to understanding dream lay in content, and came up with an elaborate system of symbols to explain the images in dreams.
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I’ve never understood why the faces, who have nothing to sell but an original personality, an original face, all try to look like somebody else. But I guess it makes sense. Why should they be different from everybody else in Hollywood, which has always been in love with sequels and imitations and remakes?