The moral government of God, springing from the Divine Love, is a government by moral agencies purely. It relies utterly on the operation of the powers native to the soul itself; and leaving aside all the juridical enginery of reward and punishment, it lets his sun shine and his rain fall alike on the just and on the unjust, that the cause of God may everywhere win simply upon its merits.
American philosopher
George Holmes Howison (29 November 1834 – 31 December 1916) was an American philosopher, who established the philosophy department at the University of California, Berkeley and held the position there of Mills Professor of Intellectual and Moral Philosophy and Civil Polity.He also founded the Philosophical Union, one of the oldest philosophical organizations in the United States. Howison’s philosophy is set forth almost entirely in his volume entitled, The Limits of Evolution, and other essays, illustrating the metaphysical theory of personal idealism. Scrutinizing the idea of evolution that had come to the fore, he proved not only that no Person can be wholly “the product of ‘continuous creation’”, evolution, but went on also to show that, rooted in the very same (a priori) reason, fulfilled philosophy necessarily ends in the “Vision Beatific”, “that universal circle of spirits which, since the time of the stoics, has so pertinently been called the City of God”. Friends and former students of Howison established the Howison Lectures in Philosophy in 1919. Over the years, the lecture series has included talks by distinguished philosophers such as Michel Foucault and Noam Chomsky.
From: Wikiquote (CC BY-SA 4.0)
The true love wherewith God loves other spirits is not the outpouring upon them of graces which are the unearned gift of his miraculous power; it is the love, on the contrary, which holds the individuality, the personal initiative, of its object sacred. As the true father desires that the son who, after him, is to be the head of the family shall have a method and policy of his own, by which the honours of the line shall be increased by new contributions, so he who is the Father of Spirits will have his image brought forth in every one of his offspring by the thought and conviction of each soul itself.
Accordingly we may explicate the new doctrine of Jesus into these three truths: (1) That God is the perfect Person, the central member in the universal society actuated by love; (2) that the soul is immortal; (3) that it is free, both in the sense of being the responsible author of all its acts, and in the sense that its fund of ultimate resources is equal to fulfilling its duty to love as God loves.
The aim of such a religion is not merely to "glorify God"; rather, it is to glorify all souls, as all in the image of God; to glorify them by fulfilling for every one of them its vocation to repeat in a new way the life of universal love that is the life of God, and thus to attain, through the universal greatening, such a real glorification of God as other forms of religion seek after in vain.
His [Christ's] point of view, of the literal divine-son ship of every lowliest and most sinful and sinning spirit, committed him logically to the assertion of the implicit equality of all spirits with each other, far as concerns their moral powers and destination no matter what their actual and contingent state; and also of their potential equality with God. His doctrine may well be summarised in the consecrated phrase, usually applied only to himself, "The son of man is the son of God."
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To the great Greek teachers, even to Socrates, as it still is practically to us all, this one and only truth of living religion was more or less but a distant thought, summoned into direct consciousness at intervals by a reflective effort, and brought to bear upon conduct amid the clamours of our animal being. To Jesus, on the contrary, it is an ever-present perception, like light to vision, like space to our movements, like time to our projects in life.
But what I do mean is, that wherever the principle of Authority has entered and operated in historic Christianity, it has interfered with the free expression and development of that teaching and spirit which is most specifically characteristic of Jesus when his mind and work are viewed, as they must be, in the light of the comparative history of religious thought. I mean that so far as the various Christian bodies which adhere to the principle of Authority have succeeded in displaying the spirit of Christ, and unconsciously keeping its inmost secret still alive in the world, they have done so, not because of the doctrine of Authority, but in spite of it,
In any proposed external communication from God, the channels of human faculty are never to be got rid of; so, if they do not in their own native quality constitute divine vouchers, they must operate as barriers to any communication with God. Of God, who is essentially supersensible, there can be no such thing as a presentation directly to our senses; and all belief that sensible facts mean his real presence must rest at last on inferential judgments of our reason, while these will be nothing but self-continuing circles, worthless for evidence, unless our reason is granted to have in itself the real revelation of what accords with the Divine mind. An absolutely direct utterance of God in the external world, evident strictly in itself, is thus upon close examination unintelligible and unthinkable. Yet this is what is implied in a consistent doctrine of Authority.
To the question, What is the right relation between reason and religion, you will now understand me to answer, It is that reason should be the source of which religion is the issue; that reason, when most itself, will unquestionably be religious, but that religion must for just that cause be entirely rational; that reason is the final authority from which religion must derive its warrant, and with which its contents must comply; that all religious doctrines and instrumentalities, all religious practices, all religious institutions, and all records of religion, whether in tradition or in scripture, must alike submit their claims at the bar of general human reason, and that only those approved in that tribunal can be regarded as of weight or of obligation; in short, that the only real basis of religion is our human reason, the only seat of its authority our genuine human nature, the only sufficient witness of God the human soul. Reason, I shall endeavour to show, is not confined to the mastery of the sense-world and the goods of this world only, but does cover all the range of being, and found and rule the world eternal; it is not merely natural, it is also spiritual; it is itself, when come to itself, the true divine revelation.
Poetry, finally, is the form of art where not only are the unities of time, place, and action freed from the restrictive bounds of the single instant, the single spot, the single simple transaction, but the medium of embodiment is thought itself, with its completely articulate utterance in language. Here the very source of the ideal view of the world, the very origin of the creative artistic impulse, becomes the material and the instrument of its own purpose, the executor of its own will. The scope of the creative faculty is therefore the utmost conceivable, and poetry rightfully takes the highest place as the art of the greatest possibilities — the art, indeed, of an all-inclusive compass, as at length completely self-supplying and self-directing.
No, nothing short of the creative principle of imagination gives the fine arts their specific quality—the principle that creates for the sake of creating, for the sake of giving free course to that imagination which is not only an essential but the guiding factor in the supersensible being of man, and which not only founds for him the world of religion and of science, as well as that of art, but is the constructive and developing principle of the universe itself.
The proper form of science is explanation and argument, and the proper form of religion and morality is exhortation and command; but that of art is simply the directest embodiment of its theme as the theme itself requires. Assured that the theme is compatible with the ideal nature of art, the artist knows that it will justify itself and work its own work, if it can only find expression in its natural embodiment.
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