Now when the spirit in us wakes and broods,
Filled with home yearnings, drowsily it flings
From its deep heart high dreams and mystic moods,
Mixed with the memory of the loved earth things;
Clothing the vast with a familiar face;
Reaching its right hand forth to greet the starry race.

Your insolence and ignorance of the rights conceded to workers universally in the modern world were incredible, and as great as your inhumanity. If you had between you collectively a portion of human soul as large as a threepenny bit, you would have sat night and day with the representatives of labour, trying this or that solution of the trouble, mindful of the women and children, who at least were innocent of wrong against you. But no! You reminded labour you could always have your three square meals a day while it went hungry.

We cannot for forgetfulness forego the reverence due to them
Who wear at times they do not guess the sceptre and the diadem.
As bright a crown as this was theirs when first they from the Father sped;
Yet look with deeper eyes and still the ancient beauty is not dead.
He mingled with the multitude. I saw their brows were crowned and bright,
A light around the shadowy heads, a shadow round the head of light.

This mood hath known all beauty for it sees
O'erwhelmed majesties
In these pale forms, and kingly crowns of gold
On brows no longer bold,
And through the shadowy terrors of their hell
The love for which they fell,
And how desire which cast them in the deep
Called God too from his sleep.

There are heaps of things I would like to do, but there is no time to do them. The most gorgeous ideas float before the imagination, but time, money, and alas! inspiration to complete them do not arrive, and for any work to be really valuable we must have time to brood and dream a little over it, or else it is bloodless and does not draw forth the God light in those who read. I believe myself, that there is a great deal too much hasty writing in our magazines and pamphlets. No matter how kindly and well disposed we are when we write we cannot get rid of the essential conditions under which really good literature is produced, love for the art of expression in itself; a feeling for the music of sentences, so that they become mantrams, and the thought sings its way into the soul. To get this, one has to spend what seems a disproportionate time in dreaming over and making the art and workmanship as perfect as possible. I could if I wanted, sit down and write steadily and without any soul; but my conscience would hurt me just as much as if I had stolen money or committed some immorality. To do even a ballad as long as The Dream of the Children, takes months of thought, not about the ballad itself, but to absorb the atmosphere, the special current connected with the subject. When this is done the poem shapes itself readily enough; but without the long, previous brooding it would be no good. So you see, from my slow habit of mind and limited time it is all I can do to place monthly, my copy in the hands of my editor when he comes with a pathetic face to me.

Their dream had left me numb and cold,
But yet my spirit rose in pride, Refashioning in burnished gold The images of those who died,
Or were shut in the penal cell. Here's to you, Pearse, your dream not mine, But yet the thought, for this you fell, Has turned life's water into wine.

He said, 'The royal robe I wear
Trails all along the fields of light:
Its silent blue and silver bear
For gems the starry dust of night.'
'The breath of joy unceasingly
Waves to and fro its folds starlit,
And far beyond earth's misery
I live and breathe the joy of it.'

I needed love no words could say;
She drew me softly nigh her chair,
My head upon her knees to lay,
With cool hands that caressed my hair.
She sat with hands as if to bless,
And looked with grave, ethereal eyes;
Ensouled by ancient quietness,
A gentle priestess of the Wise.