British author and philanthropist (born 1965)
Joanne Rowling, CH, OBE, HonFRSE, FRCPE, FRSL (born 31 July 1965), is a British novelist, best known for writing the Harry Potter series as J. K. Rowling, a pen name devised using her grandmother's name, "Kathleen" as a middle name. Rowling has written under the pseudonym Robert Galbraith and, since around 2020, has gained substantial attention for her advocacy of gender-critical feminism.
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I had a bunch of racists telling me that because Hermione 'turned white' – that is, lost colour from her face after a shock – that she must be a white woman, which I have a great deal of difficulty with. But I decided not to get too agitated about it and simply state quite firmly that Hermione can be a black woman with my absolute blessing and enthusiasm.
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I think most of us if you were asked to name a very evil regime would think of Nazi Germany. … I wanted Harry to leave our world and find exactly the same problems in the Wizarding world. So you have to the intent to impose a hierarchy, you have bigotry, and this notion of purity, which is a great fallacy, but it crops up all over the world. People like to think themselves superior and that if they can pride themselves on nothing else, they can pride themselves on perceived purity. … The Potter books in general are a prolonged argument for tolerance, a prolonged plea for an end to bigotry, and I think it's one of the reasons that some people don't like the books, but I think that it's a very healthy message to pass on to younger people that you should question authority and you should not assume that the establishment or the press tells you all of the truth.
One of the many things I learned at the end of that Classics corridor down which I ventured at the age of 18, in search of something I could not then define, was this, written by the Greek author Plutarch: "What we achieve inwardly will change outer reality."
That is an astonishing statement and yet proven a thousand times every day of our lives. It expresses, in part, our inescapable connection with the outside world, the fact that we touch other people’s lives simply by existing.
Unlike any other creature on this planet, humans can learn and understand, without having experienced. They can think themselves into other people’s places. Of course, this is a power, like my brand of fictional magic, that is morally neutral. One might use such an ability to manipulate, or control, just as much as to understand or sympathise. And many prefer not to exercise their imaginations at all. They choose to remain comfortably within the bounds of their own experience, never troubling to wonder how it would feel to have been born other than they are. They can refuse to hear screams or to peer inside cages; they can close their minds and hearts to any suffering that does not touch them personally; they can refuse to know. I might be tempted to envy people who can live that way, except that I do not think they have any fewer nightmares than I do. Choosing to live in narrow spaces leads to a form of mental agoraphobia, and that brings its own terrors. I think the wilfully unimaginative see more monsters. They are often more afraid. What is more, those who choose not to empathize enable real monsters; for without ever committing an act of outright evil ourselves, we collude with it, through our own apathy.
Now, I am not going to stand here and tell you that failure is fun. That period of my life was a dark one, and I had no idea that there was going to be what the press has since represented as a kind of fairy tale resolution. I had no idea then how far the tunnel extended, and for a long time, any light at the end of it was a hope rather than a reality. So why do I talk about the benefits of failure? Simply because failure meant a stripping away of the inessential. I stopped pretending to myself that I was anything other than what I was, and began to direct all my energy into finishing the only work that mattered to me. Had I really succeeded at anything else, I might never have found the determination to succeed in the one arena I believed I truly belonged. I was set free, because my greatest fear had been realised, and I was still alive, and I still had a daughter whom I adored, and I had an old typewriter and a big idea. And so rock bottom became the solid foundation on which I rebuilt my life.
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I went to the British Book Awards that evening. I bumped into a woman I hadn't seen for nearly three years. The first thing she said to me? "You've lost a lot of weight since the last time I saw you!"
"Well," I said, slightly nonplussed, "the last time you saw me I'd just had a baby." What I felt like saying was, "I've produced my third child and my sixth novel since I last saw you. Aren't either of those things more important, more interesting, than my size?" But no — my waist looked smaller! Forget the kid and the book: finally, something to celebrate!
He [Harry] is very much in puberty [...] I just think it is a very confusing time. Yes, he's very confused in a boy way. He doesn’t understand how girls' minds work. [...] Harry, for the first time, does have a relationship of sorts. The emphasis is very much on 'of sorts' . . . That was really fun to write actually. I think you will find it painful. You should find it painful. It is painful but it was such fun to write. Poor Harry! What I put him through.