The fact is simple. The Spitfire looked good. It was every bit as dashing as the young men who flew it, and in flight it was as graceful as any bird. Its progress through the sky seemed effortless, as though it was simply riding the breeze and its Merlin engine was only there to provide a suitable soundtrack. You had Mr. Churchill on the radio explaining that we'd never surrender, and above you had the Spitfire, and you couldn't help thinking: Yes, we can win this thing. Possibly, just possibly, the Spitfire is the greatest machine ever made.

Technically, the Hurricane might have been able to win the Battle of Britain on its own. But for keeping up the spirits of the people on the ground while running rings round anything the Third Reich could throw at it? That was the job of the Spitfire, a symbol of British brilliance, a symbol of hope.

Some say that no machine conceived to kill could ever be called beautiful. Magnificent, maybe, and awesome perhaps. But not beautiful. The thing is though that in the battleship's short life of just 90 years it turned out to be a less effective killing machine than amost any other weapon of war. All they did was steam around the oceans, making the people who paid for them feel good.

When the Argentine light cruiser Belgrano was hit by two torpedoes from the snout of Conqueror, a British hunter-killer, the enemy escort ships immediately gave chase. They were out of ideas after just five miles. The Royal Navy vessel had approached unseen, fired unseen, and simply disappeared.

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Over the years the Flying Scotsman has travelled the world and been owned by pretty well everyone except my wife, and possibly Kate Moss. As I write he's for sale again, for a not inconsiderable 2.5 million Pounds. That may seem a lot for something that no longer has a purpose, even if he is Britain's engineering heritage. But he is not simply a machine. Like an Aston Martin DB7 or an F-16 fighter, he works as an art form too, a piece of sculpture. So what if you can't go anywhere in him anymore. Put him in your garden and spend your days just looking at him.

Francis Bacon once said there is no beauty that hath not some strangeness to its proportion. Cameron Diaz proves that- she's got a mouth like a slice of watermelon. But the Flying Scotsman proves it to be wrong. There is no strangeness at all. He is exquisite to behold, partly because he is so nicely balanced and partly because he seems to shout "I AM VERY POWERFUL'.

Small boys everywhere know that in a fight between Superman, James Bond and the Terminator, James Bond would win. Well, it's the same story in Star Wars. In a fight between the Enterprise, Stingray, Thunderbird 2 and the Millennium Falcon, the Falcon would reign supreme. It just would. The end.

The Falcon was forever going wrong. Time and again Han and his rebel cohorts would have to bang on the dashboard with their fists to get some wayward system working. And this too helped give the ship a flawed, almost human quality. This is something I look for in all machines...

I have had long soaks in the bath that were more stressful. I have been on tropical beaches that were more noisy. After a while I became so detached from reality that I put on my indicator and tried to overtake the car in front. Sounds fine except for one thing. I was already in the outside lane. I came within an inch of hitting the central crash barrier and to this day I wonder what the chap in the car behind was thinking when he saw a three-ton, £250,000 Rolls-Royce indicate, to show the driver wasn't asleep, and then drive off the road.

It's no more daunting in there than in a Georgian drawing room. You sit on a supremely comfortable chair- it'd be even better if it were a wingback, I'm surprised it's not- overlooking acres of leather and wood. You're never tempted, as you are in a Maybach, to push a button just to find out what it does. And then having to spend the rest of the journey trying to find which button undoes whatever the first button did. This makes for a hugely relaxing drive. So relaxing, in fact, that you sometimes forget that you're in a car. I did.

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You get the picture. And so did BMW. When they bought the company they could have fitted a new body to one of their 7 Series. That's what Mercedes did to create the Maybach. But instead of wandering around the BMW spare-parts division saying, "What do we want?" the engineers fired up their computers and asked, "What do we need?". Plainly they looked at what Henry Royce and Charles Rolls were trying to achieve a hundred years ago, and thought, "Zis is vot ve must do also." And as a result the Rolls-Royce Phantom is quite simply the best car in the world.