Joseph Conrad Quotes

All that mysterious life of the wilderness that stirs in the forest, in the jungles, in the hearts of wild men.

The world of the living contains enough marvels and mysteries..acting upon our emotions and intelligence in ways so inexplicable that it would almost justify the conception of life as an enchanted state.
No, I am too firm in my consciousness of the marvellous to be ever fascinated by the mere supernatural...

Everything belonged to him — but that was a trifle. The thing to know was what he belonged to, how many powers of darkness claimed him for their own.

The East Wind, an interloper in the dominions of Westerly weather, is an impassive-faced tyrant with a sharp poniard held behind his back for a treacherous stab.

Only a moment; a moment of strength, of romance, of glamour — of youth!... A flick of sunshine upon a strange shore, the time to remember, the time for a sigh, and — goodbye! — Night — Goodbye!

The moon had spread over everything a thin layer of silver - over the rank grass, over the mud, upon the wall of matted vegetation standing higher than the wall of a temple, over the great river I could see through a sombre gap glittering, glittering, as it flowed broadly by without a murmur. All this was great, expectant, mute, while the man jabbered about himself.

He feared neither God, nor devil, nor man, nor wind, nor sea, nor his own conscience. And I believe he hated everybody and everything. But I think he was afraid to die. I believe I am the only man who ever stood up to him.

The last thing a woman will consent to discover in a man whom she loves, or on whom she simply depends, is want of courage.

My task which I am trying to achieve is, by the power of the written word, to make you hear, to make you feel — it is, before all, to make you see. That — and no more, and it is everything. If I succeed, you shall find there according to your deserts: encouragement, consolation, fear, charm — all you demand; and, perhaps, also that glimpse of truth for which you have forgotten to ask.

"Conrad placed on the title page an epigraph taken from Edmund Spenser's The Faerie Queene:

"Sleep after toyle, port after stormie seas,
Ease after warre, death after life, does greatly please"

This also became Conrad's epitaph."

For all that has been said of the love that certain natures (on shore) have professed to feel for it, for all the celebrations it had been the object of in prose and song, the sea has never been friendly to man. At most it has been the accomplice of human restlessness.

Action is consolatory. It is the enemy of thought and the friend of flattering illusions.

I don't like work — no man does — but I like what is in the work — the chance to find yourself. Your own reality — for yourself not for others — what no other man can ever know. They can only see the mere show, and never can tell what it really means.

I remember my youth and the feeling that will never come back any more — the feeling that I could last for ever, outlast the sea, the earth, and all men; the deceitful feeling that lures us on to joys, to perils, to love, to vain effort — to death; the triumphant conviction of strength, the heat of life in the handful of dust, the glow in the heart that with every year grows dim, grows cold, grows small, and expires — and expires, too soon, too soon — before life itself.

This stretch of the Thames from London Bridge to the Albert Docks is to other watersides of river ports what a virgin forest would be to a garden. It is a thing grown up, not made. It recalls a jungle by the confused, varied, and impenetrable aspect of the buildings that line the shore, not according to a planned purpose, but as if sprung up by accident from scattered seeds. Like the matted growth of bushes and creepers veiling the silent depths of an unexplored wilderness, they hide the depths of London’s infinitely varied, vigorous, seething life. In other river ports it is not so. They lie open to their stream, with quays like broad clearings, with streets like avenues cut through thick timber for the convenience of trade... But London, the oldest and greatest of river ports, does not possess as much as a hundred yards of open quays upon its river front. Dark and impenetrable at night, like the face of a forest, is the London waterside. It is the waterside of watersides, where only one aspect of the world’s life can be seen, and only one kind of men toils on the edge of the stream. The lightless walls seem to spring from the very mud upon which the stranded barges lie; and the narrow lanes coming down to the foreshore resemble the paths of smashed bushes and crumbled earth where big game comes to drink on the banks of tropical streams.<p>Behind the growth of the London waterside the docks of London spread out unsuspected, smooth, and placid, lost amongst the buildings like dark lagoons hidden in a thick forest. They lie concealed in the intricate growth of houses with a few stalks of mastheads here and there overtopping the roof of some four-story warehouse.