I know of no 'new programme'.. .Only that art is forever manifesting itself in new forms, since there are forever new personalities – its essence can never alter, I believe. Perhaps I am wrong. But speaking for myself, I know that I have no programme, only the unaccountable longing to grasp what I see and feel, and to find the purest means of expressing for it.

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The atelier was under the roof. Inhabiting this space was forbidden due to fire code restrictions, but staying and working there was allowed. We therefore had to avoid the impression that these were our living quarters. The most necessary furniture had to disappear into the attic during the day. And so the place was decorated purely with curtains. A curtain hung in front of the entrance door, a second one in front of the oven heating.. ..an adjoining room was hidden by a curtain with abstractedly patterned batik.

On occasion I came to exaggerate certain forms, in violation of scientific proportion but in accordance with the balance of their spiritual relationships to each other. I made heads vastly oversized in relation to other parts of the body, because the head is the point of concentration of all the psyche, all expression.

as quoted in Ernst Ludwig Kirchner und Die 'Brücke: Selbstbildnisse, Künstlerbildnisse, Jutta Hülsewig-Johnen & Egging Björn; Kerber, Bielefeld 2005, p. 174; as quoted by Louise Albiez (incl. translation), Brücke und Berlin: 100 Jahre Expressionismus; submitted to the Division of Humanities New College of Florida, Sarasota, Florida, May, 2013 p. 9