A certain critic—for such men, I regret to say, do exist—made the nasty remark about my last novel that it contained ‘all the old Wodehouse characters under different names’. He has probably now been eaten by bears, like the children who made mock of the prophet Elisha: but if he still survives he will not be able to make a similar charge against Summer Lightning. With my superior intelligence, I have outgeneralled this man by putting in all the old Wodehouse characters under the same names. Pretty silly it will make him feel, I rather fancy. (From preface)

It seemed to me, thinking quick, that the only way of solving the am-parce [impasse] was to sacrifice Shorty. Like Russian peasants with their children, you know, when they are pursued by wolves and it becomes imperative to lighten the sledge.

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I want to know what the devil you mean by keeping coming into my private apartment, taking up space which I require for other purposes and interrupting me when I am chatting with my personal friends. Really one gets about as much privacy in this house as a strip-tease dancer.

there entered a young man of great height but lacking the width of shoulder and ruggedness of limb which make height impressive. Nature, stretching Horace Davenport out, had forgotten to stretch him sideways, and one could have pictured Euclid, had they met, nudging a friend and saying:‘Don't look now, but this chap coming along illustrates exactly what I was telling you about a straight line having length without breadth

Into the face of the young man who sat on the terrace of the Hotel Magnifique at Cannes there had crept a look of furtive shame, the shifty, hangdog look which announces that an Englishman is about to talk French. One of the things which Gertrude Butterwick had impressed on Monty Bodkin when he left for his holiday on the Riviera was that he must be sure to practise his French, and Gertrude’s word was law. So now, though he knew that it was going to make his nose tickle, he said:
‘Er, garçon.’
‘M’sieur?’
‘Er, garçon, esker-vous avez un spot de l’encre et une piece de papier—note papier, vous savez—et une envelope et une plume.’
The strain was too great. Monty relapsed into his native tongue.
‘I want to write a letter,’ he said. And having, like all lovers, rather a tendency to share his romance with the world, he would probably have added ‘to the sweetest girl on earth’, had not the waiter already bounded off like a retriever, to return a few moments later with the fixings.
‘V’la, sir! Zere you are, sir,’ said the waiter. He was engaged to a girl in Paris who had told him that when on the Riviera he must be sure to practise his English. ‘Eenk—pin—pipper—enveloppe—and a liddle bit of bloddin-pipper.’
‘Oh, merci,’ said Monty, well pleased at this efficiency. ‘Thanks. Right-ho.’
‘Right-ho, m’sieur,’ said the waiter.