"Yes", Kumiko said, seriously. "Exactly that. The extraordinary happens all the time. So much, we can't take it. Life and happiness and heartache and love. If we couldn't put it in story - "
"And explain it -"
"No!" she said, suddenly sharp. "Not explain. Stories do not explain. They seem to, but all they provide is a starting point. The story never ends at the end. There is always after. And even within itself, even by saying that this version is the right one, it suggests other versions, versions that exist in parallel. No, story is not an explanation, it is a net, a net through which the truth flows. The net catches some of the truth, but not all, never all, only enough so that we can live with the extraordinary without it killing us." She sagged a little, as if exhausted by this speech. "As it surely, surely would."

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But a knife ain't just a thing, is it? It's a choice, it's something you do. A knife says yes or no, cut or not, die or don't. A knife takes a decision out of your hand and puts it in the world and it never goes back again.

"Mikey," she says, but not like she's about to say anything more, just like she's identifying me, making a place for me here that's mine to exist in. I want her so much, my heart feels heavy, like I'm grieving. Is this what they meant about that stomach feeling? They didn't say it felt this sad.

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Oh, it was real, all right,” she says. “We lived it; we were there. If you go through something and put up with it even if you want to get away from it more than anything in the whole world, then it was definitely bloody real.

"You be as angry as you need to be," she said. "Don't let anyone tell you otherwise. Not your grandma, not your dad, no one. And if you need to break things, then by God, you break them good and hard."

He couldn't look at her. He just couldn't.

"And if, one day," she said, really crying now, "you look back and you feel bad for being so angry, if you feel bad for being so angry at me that you couldn't even speak to me, then you have to know, Conor, you have to know that it was okay. It was okay. That I knew. I know, okay? I know everything you need to tell me without you having to say it out loud. All right?"

He still couldn't look at her. He couldn't raise his head, it felt so heavy. He was bent in two, like he was being torn right down through his middle.

But he nodded.

He opens his voice, showing me other sunrises he has seen, where the fields turn golden and the Source and his one in particular stood up from their early morning labours to watch it rise, a memory as simple as that, yet covered in joy and loss and love and grief-
And hope.

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"Son" his father said, leaning forward. "Stories don't always have happy endings."

This stopped him. Because they didn't, did they? That's one thing the monster had definitely taught him. Stories were wild, wild animals and went off in directions you couldn't expect.