I began to feel that itch that every writer longs for: the itch to start getting words down, the itch to tell a story.

You told me, just now, just today, that you'd rather be dead than have to go through this much longer. I take that seriously. I don't think your suffering is fake. I don’t think these feelings about wanting it to end are fake. I don’t think your self-hatred is fake. So why do you think it’s fake?

Everybody was hoping for something, talking about our new life to come and all that they hoped from it. Fresh air, whatever that’s supposed to mean. Real gravity, instead of the fake kind that broke every now and then (even though no one over fifteen would admit that it was actually really fun when it did). All the wide open spaces we’d have, all the new people we’d meet when we woke them up, ignoring completely what happened to the original settlers, super- confident that we were so much better equipped that nothing bad could possibly happen to us.
All this hope, and here I was, right at the very edge of it, looking out into the darkness, the first to see it coming, the first to greet it when we found out what it really looked like.

This is all sounding pretty fairy tale-ish,” Conor said, suspiciously.
You would not say that if you heard the screams of a man killed by a spear, said the monster. Or his cries of terror as he was torn to pieces by wolves. Now be quiet.

"I don't know," Gudmund said. "I really don't, Sethy. But we've got now, which is more than a lot of people have, right? Let the future take care of itself."

There came a point when Harry stopped trying to fight back, when the blows from the monster were too strong, too many, too fast, when he began begging the monster to stop.

You felt the excitement when we chased them up the hill,” the Mayor's saying. “I saw it. It blazed through your Noise like a fire. Every man in the army felt the same thing. You're never more alive than in battle.”

“Never more dead after,” I say.