American writer (1918–2009)
Philip José Farmer (January 26, 1918 – February 25, 2009) was an American author, principally known for his science fiction and fantasy novels and short stories, especially those of his Riverworld series.
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Beauty in this Iron Age must turn
From fluid living rainbow shapes to torn
And sootened fragments, ashes in an urn
On whose gray surface runes are traced by a Norn
Who hopes to wake the Future to arise
In Phoenix-fashion, and to shine with rays
To blast the sight of modern men whose dyes
Of selfishness and lust have stained our days...
The world took a shape which he could grasp, though he could not comprehend it. Above him, on both sides, below him, as far as he could see, bodies floated. They were arranged in vertical and horizontal rows. The up-and-down ranks were separated by red rods, slender as broomsticks, one of which was twelve inches from the feet of the sleepers and the other twelve inches from their heads. Each body was spaced about six feet from the body above and below and on each side.
The rods came up from an abyss without bottom and soared into an abyss without ceiling. That grayness into which the rods and the bodies, up and down, right and left, disappeared was neither the sky nor the earth. There was nothing in the distance except the lackluster of infinity.
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It was like no hell or heaven of which he had ever heard or read, and he had thought that he was acquainted with every theory of the afterlife. He had died. Now he was alive. He had scoffed all his life at a life-after-death. For once, he could not deny that he had been wrong. But there was no one present to say, "I told you so, you damned infidel!"
Of all the millions, he alone was awake.
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People who believed in Him were deluded. The believers in God might be intelligent, but they were mentally benighted. The gears in that part of the brain which dealt with religion had been put into neutral, and they were spinning. Or the circuit of religion had been disconnected from the main circuit of the intellect.
That was a bad analogy. People use their intellect to justify the nonintellective, emotionally based phenomenon called religion. Often brilliantly. But, as far as she was concerned, uselessly.