American science fiction author (1928–1982)
Philip Kindred Dick (16 December 1928 – 2 March 1982) was an American writer, whose published works mainly belong to the genre of science fiction. Dick explored philosophical, sociological and political themes in novels with plots dominated by monopolistic corporations, authoritarian governments, and altered states of consciousness. In his later works, Dick's thematic focus tended to reflect his personal interest in metaphysics and theology.
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"It's impossible that James Joyce could have mentioned "talk-tapes" in his writing, Asher thought. Someday I'm going to get my article published; I'm going to prove that Finnegan's Wake is an information pool based on computer memory systems that didn't exist until a century after James Joyce's era; that Joyce was plugged into a cosmic consciousness from which he derived the inspiration for his entire corpus of work. I'll be famous forever."
"All right," Eric agreed. "If you were me, and your wife were sick, desperately so, with no hope of recovery, would you leave her? Or would you stay with her, even if you had traveled ten years into the future and knew for an absolute certainty that the damage to her brain could never be reversed? And staying with her would mean-"
"I can see what it would mean, sir," the cab broke in. "It would mean no other life for you beyond caring for her."
"That's right," Eric said.
"I'd stay with her," the cab decided.
"Why?"
"Because," the cab said, "life is composed of reality configurations so constituted. To abandon her would be to say, I can't endure reality as such. I have to have uniquely special easier conditions."
"I think I agree," Eric said after a time. "I think I will stay with her."
God bless you, sir," the cab said. "I can see that you're a good man.
In marriage the greatest hatred that is possible between human beings can be generated, perhaps because of the constant proximity, perhaps because once there was love. The intimacy is still there, even though the love element has disappeared. So a will to power, a struggle for domination, comes into being.
"One of these days," Joe said wrathfully, "people like me will rise up and overthrow you, and the end of tyranny by the homeostatic machine will have arrived. The day of human values and compassion and simple warmth will return, and when that happens someone like myself who has gone through an ordeal and who genuinely needs hot coffee to pick him up and keep him functioning when he has to function will get the hot coffee whether he happens to have a postcred readily available or not."
"Ruth said, "Love isn't just wanting another person the way you want to own an object you see in a store. That's just desire. You want to have it around, take it home and set it up somewhere in the apartment like a lamp. Love is"-she paused, reflecting-"like a father saving his children from a burning house, getting them out and dying himself. When you love you cease to live for yourself; you live for another person.
"No communication." Baines was sweating. "In eighteen years there hasn't been any semantic bridge between you? Does he have any contact? Signs? Codes?" "He — ignores us. He eats here, stays with us. Sometimes he plays when we play. Or sits with us. He's gone days on end. We've never been able to find out what he's doing — or where. He sleeps in the barn — by himself."
That's the trouble with living in a police state, he said to himself; you think—you imagine—the police are behind everything. You get paranoid and think they're beaming information to you in your sleep, to subliminally control you. Actually the police wouldn't do that. The police are our friends.
Or was that idea beamed to me subliminally? he wondered suddenly. “The police are our friends.” The hell they are!