I was not always that way, but perhaps the shadow Earth, where I spent so many years, mellowed me a bit, and maybe my hitch in the dungeons of Amber reminded me somewhat of the quality of human suffering. I do not know. I only know that I could not pass by the hurt I saw on the form of someone much like someone who had once been a friend.

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It is difficult to understand. It seems brutal, it seems harsh…”
“It is life and it is death. It is the greatest blessing and the greatest curse in the universe. You do not have to understand it, Wakim. Your comprehension or your lack of it, your approval or your disapproval, will in no way alter its operation.

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From the shape of a cloud I know that a man in a distant city will quarrel with his wife three seasons hence and a murderer will be hanged before I finish speaking. From the falling of a stone I know the number of maidens being seduced and the movements of icebergs on the other side of the world. From the texture of the wind I know where next the lightning will fall. So long have I watched and so much am I part of all things, that nothing is hidden from me."
"You know where I go?"
"Yes."
"And what I would do there?"
"I know that, too."
"Then tell me if you know, will I succeed in that which I desire?"
"You will succeed in that which you are about, but by then it may not be what you desire."
"I do not understand you, Morningstar."
"I know that, too. But that is the way it is with all oracles, Jack. When that which is foreseen comes to pass, the inquirer is no longer the same person he was when he posed the question. It is impossible to make a man understand what he will become with the passage of time; and it is only a future self to whom a prophecy is truly relevant."

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The Hellenic world did not view the passage of time as we do. History was considered in an episodic sense, as the struggles of an unchanging mankind against a relentless and unchanging fate. The slow process of organic evolution had not yet been detected, and the grandest model for a world view was the seeming changeless patterning of the stars. It took the same processes that set the stage for science fiction—eighteenth-century rationalism and nineteenth-century science—to provide for the first time in the history of the world a sense of historical direction, of time as a developmental, nonrepetitive sequence.
This particular world view became a part of science fiction in a far more explicit fashion than in any other body of storytelling, as it provided the basis for its favorite exercise: extrapolation. I feel that because of this, science fiction is the form of literature least affected by Aristotle’s dicta with respect to the nature of the human condition, which he saw as immutable, and the nature of man’s fate, which he saw as inevitable.

I try to write every day. I used to try to write four times a day, minimum of three sentences each time. It doesn't sound like much but it's kinda like the hare and the tortoise. If you try that several times a day you're going to do more than three sentences, one of them is going to catch on. You're going to say "Oh boy!" and then you just write. You fill up the page and the next page. But you have a certain minimum so that at the end of the day, you can say "Hey I wrote four times today, three sentences, a dozen sentences. Each sentence is maybe twenty word long. That's 240 words which is a page of copy, so at least I didn't goof off completely today. I got a page for my efforts and tomorrow it might be easier because I've moved as far as I have".

Heredity or environment? I wondered wryly. We were all of us, to some degree, mad after his fashion. To be honest, it had to be a form of madness, to have so much and to strive so bitterly for just a little more, for a bit of an edge over the others. He carried this tendency to its extreme, that is all. He was a caricature of this mania in all of us. In this sense, did it really matter which of us was the traitor?