Sarvepalli Radhakrishnan Quotes

Religious intuition is a unique form of experience. Religious intuition is more than simply the confluence of the cognitive, aesthetic, and ethical sides of life. However vital and significant these sides of life may be, they are but partial and fragmented constituents of a greater whole, a whole which is experienced in its fullness and immediacy in religious intuition.

The idea of God is an interpretation of experience.

Conceptual expressions are tentative and provisional... [because] the intellectual account... are constructed theories of experience. [And he cautions us to] distinguish between the immediate experience or intuition which might conceivably be infallible and the interpretation which is mixed up with it.

If experience is the soul of religion, expression is the body through which it fulfills its destiny. We have the spiritual facts and their interpretations by which they are communicated to others. It is the distinction between immediacy and thought. Intuitions abide, while interpretations change.

[The moral hero is] fighting for the reshaping of his own society on sounder lines [his] behavior might offend the sense of decorum of the cautious conventionalist.

Feeling the unity of himself and the universe, the man who lives in spirit is no more a separate and self-centered individual but a vehicle of the universal spirit. [Like the artist, the moral hero does not turn his back on the world. Instead], He throws himself on the world and lives for its redemption, possessed as he is with an unshakable sense of optimism and an unlimited faith in the powers of the soul.

The moral hero, guided as he or she is by the ethical experience, who carves out an adventurous path is akin to the discoverer who brings order into the scattered elements of a science or the artist who composes a piece of music or designs buildings.

Intuition must be not only translated into positive and creative action but shared with others. There is a sense of urgency, if not inevitability, about this. One cannot afford to be absolutely silent and the saints love because they cannot help it.

In the chessboard of life, the different pieces have powers which vary with the context and the possibilities of their combination are numerous and unpredictable. The sound player has a sense of right and feels that, if he does not follow it, he will be false to himself. In any critical situation the forward move is a creative act.

If the new harmony glimpsed in the moments of insight is to be achieved, the old order of habits must be renounced. Moral intuitions result in a redemption of our loyalties and a remaking of our personalities.

Poetic truth is different from scientific truth since it reveals the real in its qualitative uniqueness and not in its quantitative universality. Poetry is the language of the soul, while prose is the language of science. The former is the language of mystery, of devotion, of religion. Prose lays bare its whole meaning to the intelligence, while poetry plunges us in the mysterium tremendum of life and suggests the truths that cannot be stated.

The experience or the vision is the artist’s counterpart to the scientific discovery of a principle or law. What the scientist does when he discovers a new law is to give a new ordering to observed facts. The artist is engaged in a similar task. He gives new meaning to our experience and organizes it in a different way due to his perception of subtler qualities in reality.

In emotional vibrancy experience is recollected not in tranquility... but in excitement.

Even in the act of composition, the poet is in a state in which the reflective elements are subordinated to the intuitive. The vision, however, is not operative for so long as it continues, its very stress acts as a check on expression.

Technique without inspiration, is barren. Intellectual powers, sense facts and imaginative fancies may result in clever verses, repetition of old themes, but they are only manufactured poetry. It is not simply a difference of quality but a difference of kind in the source itself.