The good, the bad, the ugly, and the pretty, it all adds up to me. I honor my journey, all of it. Changing the past would mean changing me. And I like me, just the way I am. Why would I want to change anything? Depending on who asks the question, I occasionally throw a curveball with a deeper, more philosophical answer, along these lines: I’ve already changed my past, by turning poison into medicine, and by raising my life condition, which transforms my perception of the past. Our perception determines the way events affect us. So, when we change the way a past event affects us, we effectively change the past. In other words, since past, present, and future are seamlessly connected, a change in the present moment has the power to affect a change in everything throughout all directions of space and time. Every now and then, when I share this answer, I’m told that I sound like a Jedi master from Star Wars, so I don’t share it often. But I hope you enjoy hearing it.
American-born Swiss singer and songwriter (1939–2023)
Anna Mae Bullock (26 November 1939 – 24 May 2023) known by her stage name Tina Turner, was a singer, dancer, actress, and author, whose career spanned more than half a century, earning her widespread recognition and numerous awards. Born and raised in the American South, she was also a Swiss citizen.
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Each of us is born, I believe, with a unique mission, a purpose in life that only we can fulfill. We are linked by a shared responsibility: to help our human family grow kinder and happier. I first learned about the workings of the universe from my daily experiences growing up in Nutbush, Tennessee, a small rural town. I loved spending time outside, running through the fields, looking up at the heavenly bodies in the sky, spending time with animals—domestic and wild ones—and listening to the sounds of nature. Even as a little girl, I sensed an unseen universal force as I walked through the wide-open pastures each day. Communing with nature taught me to trust my intuition, which always seemed to know the way home when I was lost, the best branch on a tree for swinging, or where a treacherous rock was hidden in a stream. I learned to listen to my heart, which taught me that you and I are connected to each other and everything else on this planet. We are joined together by the mysterious nature of life itself, the fundamental creative energy of the universe. In this complicated world of ours, where contradictions abound, we find breathtaking beauty in the most unlikely places. The brightest rainbows appear after the heaviest of storm clouds. Magnificent butterflies emerge from the drabbest cocoons. And the most beautiful lotus flowers bloom from the deepest and thickest mud. Why do you suppose life works this way? Perhaps those rainbows, butterflies, and lotus flowers are meant to remind us that our world is a mystical work of art—a universal canvas upon which we all paint our stories, day by day, through the brushstrokes of our thoughts, words, and deeds.
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I had witnessed the circle of life and death in nature, where plants and animals came and went in their own time. And I had heard about deaths in our community, young and old people, dying in all sorts of circumstances. But this time it was very personal. After Margaret died, there was a lot of talk about God's will. Our community was deeply Baptist, after all, and that was a natural response to the sudden tragedy that killed her and a few other young people, including my half sister Evelyn (my mother's child from a previous relationship). Thinking about the mysteries of life and death, I didn’t have a problem with the concept of an underlying universal force. But the idea of a bearded old white man in space, monitoring activities here on Earth, felt unrelatable and just plain unreal. I couldn't verbalize my own vision of God then, as the vocabulary hadn't come to me yet. But from the youngest age I can recall, I knew I could experience "Godliness" in Mother Nature. Something told me I had a piece of God in my heart, even if the traditional beliefs of my family and the way they practiced religion weren't right for me. I wished they practiced what they preached and lived more positive lives.
You have to be someone large on stage, not who you are in your everyday life. When I was performing, I believed that every song told a story, which I expressed through singing and movement. My audience wanted theater, and that's what we gave them. You start out not knowing who they are, or how active they will be, but you want to impress them. If they were quiet and they didn't move, then we had to work together, me, the girls, and the band, to pull them in and show them how to have a good time.