William Faulkner

Now she hates me. I have taught her that, at least.

I can remember how when I was young I believed death to be a phenomenon of the body; now I know it to be merely a function of the mind — and that of the minds who suffer the bereavement. The nihilists say it is the end; the fundamentalists, the beginning; when in reality it is no more than a single tenant or family moving out of a tenement or a town.

Who gathers the withered rose?

The train swung around the curve, the engine puffing with short, heavy blasts, and they passed smoothly from sight that way, with that quality about them of shabby and timeless patience, of static serenity: that blending of childlike and ready incompetence and paradoxical reliability that tends and protects them it loves out of all reason and robs them steadily and evades responsibility and obligations by means too barefaced to be called subterfuge even and is taken in theft or evasion with only that frank and spontaneous admiration for the victor which a gentleman feels for anyone who beats him in a fair contest, and withal a fond and unflagging tolerance for whitefolk's vagaries like that of a grandparent for unpredictable and troublesome children, which I had forgotten.

Stars were golden unicorns neighing unheard through blue meadows.

I'd have wasted a lot of time and trouble before I learned that the best way to take all people, black or white, is to take them for what they think they are, then leave them alone.

I could hear my watch whenever the car stopped, but not often they were already eating Who would play a Eating the business of eating inside of you space too space and time confused Stomach saying noon brain saying eat o clock All right I wonder what time it is what of it.

Yes, we laughed, because I have learned this at least during these four years, that it really requires an empty stomach to laugh with, that only when you are hungry or frightened do you extract some ultimate essence out of laughing just as the empty stomach extracts the ultimate essence out of alcohol.

But something held him, as the fatalist can always be held: by curiosity, pessimism, by sheer inertia.

They say that it is the practiced liar who can deceive. But so often the practiced and chronic liar deceives only himself; it is the man who all his life has been selfconvicted of veracity whose lies find quickest credence.

It begins with a character, usually, and once he stands up on his feet and begins to move, all I can do is trot along behind him with a paper and pencil trying to keep up long enough to put down what he says and does.

Sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forget the words.

...the reason for living was to get ready to stay dead a long time.

...women will show pride and honor about almost anything except love ...

If I had not existed, someone else would have written me, Hemingway, Dostoevsky, all of us. Proof of that is that there are about three candidates for the authorship of Shakespeare's plays. But what is important is Hamlet and A Midsummer Night's Dream, not who wrote them, but that somebody did. The artist is of no importance. Only what he creates is important, since there is nothing new to be said. Shakespeare, Balzac, Homer have all written about the same things, and if they had lived one thousand or two thousand years longer, the publishers wouldn't have needed anyone since.