Anti-Semitism increases day by day and hour by hour among the nations; indeed, it is bound to increase, because the causes of its growth continue to exist and cannot be removed. Its remote cause is our loss of the power of assimilation during the Middle Ages; its immediate cause is our excessive production of mediocre intellects, who cannot find an outlet downwards or upwards — that is to say, no wholesome outlet in either direction. When we sink, we become a revolutionary proletariat, the subordinate officers of all revolutionary parties; and at the same time, when we rise, there rises also our terrible power of the purse.
302 quotes found
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I have tried to meet certain objections; but I know that many more will be made, based on high grounds and low. To the first class of objections belongs the remark that the Jews are not the only people in the world who are in a condition of distress. Here I would reply that we may as well begin by removing a little of this misery, even if it should at first be no more than our own. It might further be said that we ought not to create new distinctions between people; we ought not to raise fresh barriers, we should rather make the old disappear. But men who think in this way are amiable visionaries; and the idea of a native land will still flourish when the dust of their bones will have vanished tracelessly in the winds. Universal brotherhood is not even a beautiful dream. Antagonism is essential to man's greatest efforts.
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The speech of the Word of Life is not made up of words lost in the world and stripped of power. Its word is its embrace, the pathetik embrace in which, holding itself, it holds the person to whom it speaks by giving him life – by giving him to be embraced within this embrace in which absolute Life embraces itself. The embrace in which absolute Life embraces itself is its love, the infinite love with which it loves itself. Its word is that of love, in the end the only one that the anguished people of our day, lost in world’s ennui, still want to hear. But what does this word say to them? Just itself, just their own life, too – the unspeakable happiness of experiencing oneself and of Living.
Kandinsky was fascinated by the expressive power of linear forms. Lyricism is the pathos of a force whose triumphant effort enters into action and encounters no obstacle. Because the straight line results from the initiative of a single, unopposed force, its domain is that of the lyric. When two forces are present and thus enter into conflict, as this is the case with the curve or the zigzag line, we are in domain of drama. This dramatic aspect increases and becomes more 'hot', when the action of the two antagonistic forces is simultaneous. It is taken to its paroxysm when a large number of forces come from all sides and fuel the battle to the point of making it a sort of cosmic clash.
So my flesh is not only the principle of the constitution of my objective body, it hides in it its invisible substance. Such is the strange condition of this object that we call a body : it doesn’t consist at all in the visible appearance to which we have always reduced it ; precisely in its reality it is invisible. Nobody has ever seen a man, but nobody has ever seen his body either, if by "body" we understand his real body.
Yoga powers. To make oneself invisible or small. To become gigantic and reach to the farthest things. To change the course of nature. To place oneself anywhere in space or time. To summon the dead. To exalt senses and perceive inaccessible images, of events on other worlds, in one's deepest inner mind, or in the minds of others.
Oppression and persecution cannot exterminate us. No nation on earth has survived such struggles and sufferings as we have gone through. Jew-baiting has merely stripped off our weaklings; the strong among us were invariably true to their race when persecution broke out against them. This attitude was most clearly apparent in the period immediately following the emancipation of the Jews. Those Jews who were advanced intellectually and materially entirely lost the feeling of belonging to their race. Wherever our political well-being has lasted for any length of time, we have assimilated with our surroundings. I think this is not discreditable. Hence, the statesman who would wish to see a Jewish strain in his nation would have to provide for the duration of our political well-being; and even a Bismarck could not do that.
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Let us just say here that if science is capable of making the slightest material modification to nature, this is only insofar as a real action cannot be reduced to a merely theoretical relation between a knowing subject and a known object. In reality, it always takes the unperceived detour through Bodily-ownness (Corpspropriation). Only someone who has hands and eyes in the sense of a radically immanent power of grasping and seeing, only a being originally constituted in oneself as a subjective and living Body -- only the scientist not as a scientist but as this kind of being -- can turn the pages of a book and read it. Likewise, only such a person can carry out a scientific operation of any kind: handle a tool, press a button, follow the results of a change on a graph, and then understand the results of a sophisticated experiment. These results are ultimately offered as sensible givens, and they are only accessible in that form. The same goes for experimentation properly so-called. The conduct or handling of it always refers back to and presupposes an action of the original Body.
The magnitude of an artwork only results from subjective forces. If these forces happen to be lacking, the edifice will crumble. The colossal works of fascism, socialist gigantism, and, in our eyes, the syncretism of the post-modern era are all the unfortunate testimony to this inner void. Because the exaltation of the powers of life can only be produced in life, life can do without these pretentious manifestations. The size of the material means does nothing for it. This can most surely be found in the small but very precise experiments where Kandinsky puts the elements of one single art or two different arts into relations of belonging or internal reciprocity. This is how he illustrated the stories of the Russian poet Remizov and composed his 'Sounds' collection, an admirable example of 'synthetic' work in which he decorated some of his own poems with coloured wood and other ones in black and white.
Kandinsky is the inventor of abstract painting, the one who sought to overturn the traditional conceptions of aesthetic representation and to define a new area in this domain -- the era of modernity. In this regard, he appears as the 'Usher' or the 'Pioneer', to borrow the words of Tinguely. To understand Kandinsky's painting is to understand an art so new and so unusual that in its beginnings it only aroused scoffs, if not anger or spit. At the time of his death in 1944 in Paris, Kandinsky was still unknown to the French public, and misunderstood by the 'critics'. Today, one might wonder whether this situation has really changed.
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