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BOOKS HAVE A DESTINY. THIS IS MY THIRD STUDY OF PAKISTAN. The first, Pakistan: Military Rule or People’s Power?, was written in 1969 and predicted th… - Tariq Ali
" "BOOKS HAVE A DESTINY. THIS IS MY THIRD STUDY OF PAKISTAN. The first, Pakistan: Military Rule or People’s Power?, was written in 1969 and predicted the breakup of the state. It was banned in Pakistan. Critics of every persuasion, even those who liked the book, thought it was going too far in suggesting that the state could disintegrate, but a few years later that is exactly what happened. Just over a decade later I wrote Can Pakistan Survive? The question mark was not unimportant but nonetheless struck a raw nerve in General Zia’s Pakistan, where to even pose the question was unacceptable. The general himself was extremely angry about its publication, as were sections of the bureaucracy, willing instruments of every despotism. Zia attacked both me and the book at a press conference in India, which was helpful and much appreciated by the publisher's sales department. That book too was banned, but to my delight was shamelessly pirated in many editions in Pakistan. They don’t ban books anymore, or at least not recently, which is a relief and a small step forward.
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About Tariq Ali
Tariq Ali (born 21 October 1943) is a British-Pakistani Marxist, author, and filmmaker.
Also Known As
Native Name:
طارق علی
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Additional quotes by Tariq Ali
For my parents, most of whose friends suddenly vanished, Lahore in the fifties was like a ghost town. The pain of Partition has been sensitively depicted in a number of short stories by the Urdu writer, Saadat Hasan Manto, and by poets like Faiz Ahmed Faiz and Sahir Ludhianvi. I had been three and a half years old in 1947. Pre-Partition Lahore, for me, existed only in numerous overheard conversations. The recent past became a subject for discussions, sometimes heated, but more often sad, and these could be heard in every quarter of the city. They frequently centred on the vibrancy of the town. During the twenties, thirties and forties, it had been an important cultural centre, a home for poets and painters, a city that was proud of its cosmopolitanism. Nineteen forty-seven had changed all that for ever. The old coffee houses and teashops were still in place, but the Hindu and Sikh faces had disappeared, never to return. This fact was soon accepted; political gossip and poetry reasserted their old primacy under new conditions.
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