There is an enormous variety of things that we never dreamed of, like... black holes, s, quasars, all these unbelievably active goings-on in the univ… - Freeman Dyson

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There is an enormous variety of things that we never dreamed of, like... black holes, s, quasars, all these unbelievably active goings-on in the universe... [I]n Aristotle's time the universe... was supposed to be quiescent, it was supposed to be perfect and peaceful, and nothing ever happened in the ; and that remained true... throughout all of the revolutions... It remained the general view of astronomers... through Copernicus, and Galileo, and Newton, and everybody else... until just the last 30 years, and now we know it's not like that at all. In fact the universe is full of violent events, and fantastic strong gravitational fields, and collapsed objects, and huge outpourings of energy. ...The things we understand least are the quasars... the most violent and... energetic objects in the universe, and they're totally... mysterious... and... they're rather frequent; and nobody ever dreamed that they existed... [E]ven after they were found it took a long time before people took them seriously. Nature's imagination is always richer than ours.

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About Freeman Dyson

Freeman John Dyson (15 December 1923 – 28 February 2020) was an English-born American physicist, mathematician, and futurist, famous for his work in quantum mechanics, nuclear weapons design and policy, and the search for extraterrestrial intelligence. He was the winner of the Templeton Prize in the year 2000.

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Birth Name: Freeman John Dyson
Alternative Names: Freeman J. Dyson

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The essence of Hilbert's program was to find a decision process that would operate on symbols in a purely mechanical fashion, without requiring any understanding of their meaning. Since mathematics was reduced to a collection of marks on paper, the decision process should concern itself only with the marks and not with the fallible human intuitions out of which the marks were reduced. In spite of the prolonged efforts of Hilbert and his disciples, the Entscheidungsproblem was never solved. Success was achieved only in highly restricted domains of mathematics, excluding all the deeper and more interesting concepts. Hilbert never gave up hope, but as the years went by his program became an exercise in formal logic having little connection with real mathematics. Finally, when Hilbert was seventy years old, Kurt Godel proved by a brilliant analysis that the Entscheindungsproblem as Hilbert formulated it cannot be solved.

Godel proved that in any formulation of mathematics, including the rules of ordinary arithmetic, a formal process for separating statements into true and false cannot exist. He proved the stronger result which is now known as Godel's theorem, that in any formalization of mathematics including the rules of ordinary arithmetic there are meaningful arithmetical statements that cannot be proved true or false. Godel's theorem shows conclusively that in pure mathematics reductionism does not work. To decide whether a mathematical statement is true, it is not sufficient to reduce the statement to marks on paper and to study the behavior of the marks. Except in trivial cases, you can decide the truth of a statement only by studying its meaning and its context in the larger world of mathematical ideas.

Anyone who compares the bibliography with the reprinted papers will notice that mathematics and physics have not been given equal treatment. There is a strong bias in favor of mathematics. The bias arises from the fact that mathematical papers, provided that are correct and not trivial, have permanent value, whereas most papers in physics journals are ephemeral. For this reason, it is customary to publish complete collected works of mathematicians but only selected works of physicists.

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Some Western readers commonly use the Japanese word manga to mean serious comic-book literature. According to one of my Japanese friends, this usage is wrong. The word manga means “idle picture” and is used in Japan to describe collections of trivial comic-book stories. The correct word for serious comic-book literature is gekiga, meaning “dramatic picture.

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