In the No the world of the real is left behind and the audience enters into a land of imagination; the face of the actor would clash with the non-rea… - Zoë Kincaid

A more disciplined stage than that of the Imperial can hardly be duplicated in any of the world's theater centers. The present repertory company has played together since the founding of the theater, and many of the younger actors have been associated with it since childhood.

Kabuki is most distinguished when it deals with the weird and grotesque, and the American visitor may not be at all surprised if among the insubstantial stage creations of the Japanese he becomes acquainted with the spirit of a cherry tree, or the transformation of a maid into a fox or a lion.

The Japanese theatre art differs so widely from anything to be seen in Western countries that it might as well belong to the people of Mars or Saturn, so far removed is it from the ordinary affairs of life as known and experienced in the West. But just because the Eastern hemisphere has founded its theatres on opposite principles from those of Europe, there is all the more reason why this uncharted field of human endeavour should become familiar to our unaccustomed ears and eyes.