In the No the world of the real is left behind and the audience enters into a land of imagination; the face of the actor would clash with the non-rea… - Zoë Kincaid

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In the No the world of the real is left behind and the audience enters into a land of imagination; the face of the actor would clash with the non-realistic material of the play and the treatment.

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About Zoë Kincaid

Zoe Kincaid Penlington (2 March 1878 – 28 March 1944) was a Canadian-born journalist and drama critic based in Tokyo from 1908 to 1941. She was the author of Kabuki: The Popular Stage in Japan (1925), the first English-language study of kabuki.

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The long procession of priests in picturesque robes, and the group of feudal lords in their large ceremonial court costumes of many colors, made a memorable stage picture, and one, indeed, that the most extravagant of motion picture scenes might well emulate.

Throughout the realm, the Hina Matsuri will be observed in the homes of rich and poor alike when a series of shelves, one rising above the other, and covered with a red cloth will be placed in the best room of the dwelling. Here the treasured dolls and their furniture will be displayed for one day only.

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Kabuki is most distinguished when it deals with the weird and grotesque, and the American visitor may not be at all surprised if among the insubstantial stage creations of the Japanese he becomes acquainted with the spirit of a cherry tree, or the transformation of a maid into a fox or a lion.

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