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I think he Pollock responded to rhythm more than anything else in art. Indeed, perhaps it is not to much to assert that his greatest works are marked… - Robert Motherwell
" "I think he Pollock responded to rhythm more than anything else in art. Indeed, perhaps it is not to much to assert that his greatest works are marked by the intensity and violence of his rhythm, modified by an incorruptible respect for the work's flat surface, an art masculine and lyrical and, as in a Celtic dance, measured, despite its original primitive impulse. That he also meant to me, his rhythm...
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About Robert Motherwell
Robert Motherwell (January 24, 1915 – July 16, 1991) was an U.S. abstract expressionist painter. He was one of the youngest artists of the 'New York School' (a phrase he coined), which also included a.o. Jackson Pollock, Mark Rothko, Willem de Kooning and Phillip Guston. Motherwell initiated many art debates and publications in this art-scene.
Also Known As
Alternative Names:
Robert Burns Motherwell
•
Robert Burns Motherwell III
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Additional quotes by Robert Motherwell
When I was young I was more obsessed with the materiality of things.. ..today I am more interested in air and atmosphere. This is why I deliberately treat space ambivalently. For example, an orange painting with white lines might be viewed as an orange wall with white lines, but the orange colour is no less atmospheric for all of that. It abounds white light, and the white line vibrate in a deep space, too, as well as an orange 'wall'.
I hung Baziote's [painting] show with him at Peggy's in 1944. After it was up and we had stood in silence looking at it for a while, I noticed he had turned white.. .Suddenly he [Baziotes] looked at me and said: 'You're the one I trust; if you tell me the show is no good, I'll take it right down and cancel it.'.. ..you see, at the opposite side of the coin of the abstract expressionist's ambition and of out not giving a damn, was also not knowing whether our pictures were even pictures, let alone whether they were any good...
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The activity of the artist makes him less socially conditioned and more humans. It is then that he is disposed to revolution. Society stands against anarchy; the artist stands for the human against society; society therefore threats him As an anarchist. Society's logic is faulty, but its intimation of an enemy is not. Still, the social conflict with society is an incidental obstacle in the artist's path.
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