He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the… - Evelyn Waugh

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He had no wish to obliterate anything he had written, but he would dearly have liked to revise it, envying painters, who are allowed to return to the same theme time and time again, clarifying and enriching until they have done all they can with it. A novelist is condemned to provide a succession of novelties, new names for characters, new incidents for his plots, new scenery; but, Mr Pinfold maintained, most men harbour the germs of one or two books only; all else is professional trickery of which the most daemonic of the masters — Dickens and Balzac even — were flagrantly guilty.

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About Evelyn Waugh

Arthur Evelyn St. John Waugh (28 October 1903 – 10 April 1966) was an English writer of novels, biographies, and travel books; he was also a prolific journalist and book reviewer. His most famous works include the early satires Decline and Fall (1928) and A Handful of Dust (1934), the novel Brideshead Revisited (1945), and the Second World War trilogy Sword of Honour (1952–1961). He is recognised as one of the great prose stylists of the English language in the 20th century.

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Alternative Names: Evelyn Arthur St John Waugh Arthur Evelyn St. John Waugh
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Additional quotes by Evelyn Waugh

The langour of Youth - how unique and quintessential it is! How quickly, how irrecoverably, lost! The zest, the generous affections, the illusions, the despair, all the traditional attributes of Youth - all save this come and go with us through life...These things are a part of life itself; but languor - the relaxation of yet unwearied sinews, the mind sequestered and self-regarding, the sun standing still in the heavens and the earth throbbing to our own pulse - that belongs to Youth alone and dies with it.

It's not to be expected that an ox and an ass should worship at the crib. Animals are always doing the oddest things in the lives of the saints. It's all part of the poetry, the Alice-In-Wonderland side of religion.

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The view implicit in my education was that the basic narrative of Christianity had long been exposed as a myth, and that opinion was now divided as to whether its ethical teaching was of present value, a division in which the main weight went against it; religion was a hobby which some people professed and others did not; at the best it was slightly ornamental, at the worst it was the province of 'complexes' and 'inhibitions' — catchwords of the decade — and of the intolerance, hypocrisy, and sheer stupidity attributed to it for centuries.

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