Principles heretofore unknown, signifying the emergence of a new era in creative work - an era of purely artistic achievements. An era of the final e… - Olga Rozanova

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Principles heretofore unknown, signifying the emergence of a new era in creative work - an era of purely artistic achievements. An era of the final emancipation of the Great Art of Painting from Literary, Social, and crudely everyday attributes uncharacteristic of it at its core. The elaboration of this valuable world outlook is the service of our times, irrespective of idle speculation about how quickly the individual trends created by it will flash by.

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About Olga Rozanova

Olga Vladimirovna Rozanova (22 June 1886 – 7 November 1918, Moscow) was a Russian artist in the styles of Suprematism, Neo-Primitivism, and Cubo-Futurism. In 1916 she married the poet Aleksei Kruchenykh and joined the group of Russian avant-garde artists Supremus, led by Kazimir Malevich.

Also Known As

Alternative Names: Ol'ga Vladimirovna Rozanova Olʹga Vladimirovna Rozanova Olga Vladimirovna Rozanova Ol'ga Rozanova O. Rozanova Olga Wladimirowna Rosanowa Olga Rosanova Olga Rosanowa
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Opponents of the New Art fall back on this calculation, rejecting its self-sufficient meaning and, having declared it 'Transitional,' being unable even to understand properly the conception of this Art, lumping together Cubism, Futurism, and other phenomena of artistic life, not ascertaining for themselves either their essential differences or the shared tenets that link them.

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Only the absence of honesty and of a true love of art provides some artists with the affrontery to live on stale cans of artistic economics stocked up for years, and, year in year out, until they are fifty, to mutter about what they had first started to talk about when they were twenty.

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