"The Poet" The riches of the poet are equal to his poetry His power is his left hand It is idle weak and precious His poverty is his wealth, a wealt… - Delmore Schwartz

"The Poet"

The riches of the poet are equal to his poetry
His power is his left hand
It is idle weak and precious
His poverty is his wealth, a wealth which may destroy him
like Midas Because it is that laziness which is a form of impatience
And this he may be destroyed by the gold of the light
which never was
On land or sea.
He may be drunken to death, draining the casks of excess
That extreme form of success.
He may suffer Narcissus' destiny
Unable to live except with the image which is infatuation
Love, blind, adoring, overflowing
Unable to respond to anything which does not bring love
quickly or immediately.

...The poet must be innocent and ignorant
But he cannot be innocent since stupidity is not his strong
point
Therefore Cocteau said, "What would I not give
To have the poems of my youth withdrawn from
existence?
I would give to Satan my immortal soul."
This metaphor is wrong, for it is his immortal soul which
he wished to redeem,
Lifting it and sifting it, free and white, from the actuality of
youth's banality, vulgarity,
pomp and affectation of his early
works of poetry.

So too in the same way a Famous American Poet
When fame at last had come to him sought out the fifty copies
of his first book of poems which had been privately printed
by himself at his own expense.
He succeeded in securing 48 of the 50 copies, burned them
And learned then how the last copies were extant,
As the law of the land required, stashed away in the national capital,
at the Library of Congress.
Therefore he went to Washington, therefore he took out the last two
copies
Placed them in his pocket, planned to depart
Only to be halted and apprehended. Since he was the author,
Since they were his books and his property he was reproached
But forgiven. But the two copies were taken away from him
Thus setting a national precedent.

For neither amnesty nor forgiveness is bestowed upon poets, poetry and poems,
For William James, the lovable genius of Harvard
spoke the terrifying truth: "Your

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About Delmore Schwartz

Delmore Schwartz (December 8 1913 – July 11 1966) was an American poet and short story writer.

Biography information from Wikiquote

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Additional quotes by Delmore Schwartz

Calmly We Walk Through This April Day

Calmly we walk through this April's day,
Metropolitan poetry here and there,
In the park sit pauper and rentier,
The screaming children, the motor-car
Fugitive about us, running away,
Between the worker and the millionaire
Number provides all distances,
It is Nineteen Thirty-Seven now,
Many great dears are taken away,
What will become of you and me
(This is the school in which we learn...)
Besides the photo and the memory?
(...that time is the fire in which we burn.)

(This is the school in which we learn...)
What is the self amid this blaze?
What am I now that I was then
Which I shall suffer and act again,
The theodicy I wrote in my high school days
Restored all life from infancy,
The children shouting are bright as they run
(This is the school in which they learn . . .)
Ravished entirely in their passing play!
(...that time is the fire in which they burn.)

Avid its rush, that reeling blaze!
Where is my father and Eleanor?
Not where are they now, dead seven years,
But what they were then?
No more? No more?
From Nineteen-Fourteen to the present day,
Bert Spira and Rhoda consume, consume
Not where they are now (where are they now?)
But what they were then, both beautiful;

Each minute bursts in the burning room,
The great globe reels in the solar fire,
Spinning the trivial and unique away.
(How all things flash! How all things flare!)
What am I now that I was then?
May memory restore again and again
The smallest color of the smallest day:
Time is the school in which we learn,
Time is the fire in which we burn.

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The Choir And Music Of Solitude And Silence -

Silence is a great blue bell
Swinging and ringing, tinkling and singing,
In measure’s pleasure, and in the supple symmetry
of the soaring of the immense intense wings
glinting against
All the blue radiance above us and within us, hidden
Save for the stars sparking, distant and unheard in their
singing.
And this is the first meaning of the famous saying,
The stars sang. They are the white birds of silence
And the meaning of the difficult famous saying that the
sons and daughters of morning sang,
Meant and means that they were and they are the children
of God and morning,
Delighting in the lights of becoming and the houses of
being,
Taking pleasure in measure and excess, in listening as in
seeing.

Love is the most difficult and dangerous form of courage.
Courage is the most desperate, admirable and noble kind of
love.

So that when the great blue bell of silence is stilled and
stopped or broken
By the babel and chaos of desire unrequited, irritated and
frustrated,
When the heart has opened and when the heart has spoken
Not of the purity and symmetry of gratification, but action
of insatiable distraction’s dissatisfaction,

Then the heart says, in all its blindness and faltering
emptiness:
There is no God. Because I am hope. And hope must be
fed.
And then the great blue bell of silence is deafened, dumbed,
and has become the tomb of the living dead.

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