"I cannot help remembering a remark of De Casseres. It was over the wine in Mouquin's. Said he: "The profoundest instinct in man is to war against th… - Jack London

With the aurora borealis flaming coldly overhead, or the stars leaping in the frost dance, and the land numb and frozen under its pall of snow, this song of the huskies might have been the defiance of life, only it was pitched in minor key, with long-drawn wailings and half-sobs, and was more the pleading of life, the articulate travail of existence. It was an old song, old as the breed itself — one of the first songs of the younger world in a day when songs were sad. It was invested with the woe of unnumbered generations, this plaint by which Buck was so strangely stirred. When he moaned and sobbed, it was with the pain of living that was of old the pain of his wild fathers, and the fear and mystery of the cold and dark that was to them fear and mystery.

He does not lose anything, for with the loss of himself he loses the knowledge of loss.

The eyes themselves were of that baffling protean gray which is never twice the same; which runs through many shades and colorings like intershot silk in sunshine; which is gray, dark and light, and greenish gray, and sometimes of the clear azure of the deep sea. They were eyes that masked the soul with a thousand guises, and that sometimes opened, at rare moments, and allowed it to rush up as though it were about to fare forth nakedly into the world on some wonderful adventure — eyes that could brood with the hopeless somberness of leaden skies; that could snap and crackle points of fire like those that sparkle from a whirling sword; that could grow chill as an arctic landscape, and yet again, that could warm and soften and be all adance with love-lights, intense and masculine, luring and compelling, which at the same time fascinate and dominate women till they surrender in a gladness of joy and of relief and sacrifice.