No fue sino hasta que sucumbimos ante la tentación que pudimos tomar conciencia de la insensatez de nuestros deseos - Kenneth Goldsmith

The beauty of the Internet is that people can take things, and do what they want with them, to project what they want or feel.

For the past decade, art historians Hito Steyerl and Boris Groys have written in favor of “weak images,” claiming that in the digital age, a weak or cool artifact is more democratic than a strong or hot one.

In Flusserian terms, it doesn’t really matter what we tweet (content); it just matters that we keep tweeting (apparatus). For Flusser, the content of any medium is always the series of apparatuses that produced it.