Such an intimate, promoted to power, was always lost. His duties and cares absorbed him and affected his balance of mind. Unless his friend served so… - Henry Adams

An artist, if good for anything, foresees what his public will see; and what his public will see is what he ought to have intended — the measure of his genius. If the public sees more than he himself did, this is his credit; if less, this is his fault. No matter how simple or ignorant we are, we ought to feel a discord or a harmony where the artist meant us to feel it, and when we see a motive, we conclude that other people have seen it before us, and that it must therefore have been intended.

Of all studies, the one he would rather have avoided was that of his own mind. He knew no tragedy so heartrending as introspection.

On May 13, he met the official announcement that England recognized the belligerency of the Confederacy. This beginning of a new education tore up by the roots nearly all that was left of Harvard College and Germany. He had to learn — the sooner the better — that his ideas were the reverse of truth; that in May, 1861, no one in England — literally no one — doubted that Jefferson Davis had made or would make a nation, and nearly all were glad of it, though not often saying so. They mostly imitated Palmerston who, according to Mr. Gladstone, “desired the severance as a diminution of a dangerous power, but prudently held his tongue.” The sentiment of anti-slavery had disappeared.