Creative children do not paint. They mess around. If they have to draw,creative children always end up being the ridiculous kind of child,who produce… - Günter Brus

Total actions are a further development of the happening and combine the elements of all art forms, painting music, literature, film, theatre, which have been so infected by the progressive process of cretinisation in our society that any examination of reality has become impossible using these means alone. Total actions are the unprejudiced examination of all the materials that make up reality. Total actions take place in a consciously delineated area of reality with deliberately selected materials. They are partial, dynamic occurrences in which the most varied materials and elements of reality are linked,swapped over,turn on their heads and destroyed. This procedure creates the occurrence. The actual nature of the occurrence depends on the composition of the material and actors′ unconscious tendencies. Anything may constitute the material: people, animals, plants, food, space, movement, noise, smells, light, fire, coldness, warmth, wind, dust, steam, gas, events, sport, all art forms and all art products. All the possibilities of the material are ruthlessly exhausted. As a result of the incalculable possibilities for choices that the material presents to the actor,he plunges into a concentrated whirl of action finds himself suddenly in a reality without barriers, performs actions resembling those of a madman,and avails himself of a fool′s privileges,which is probably not without significance for sensible people. Old art forms seek to reconstruct reality,total actions unfold within reality itself. Total actions are direct occurrences(direct art),not the repetition of an occurrence,a direct encounter between unconscious elements and reality(material). The actor performs and himself becomes material: stuttering, stammering, burbling, groaning, choking, shouting, screeching, laughing, spitting, biting, creeping, rolling about in the material.

Pure painting or the art of drawing whose point of departure is based on purely formal criteria is,in my opinion, passé. I do not reject it if other artists make attempts,but as far as I am concerned,this is what I believe. if I do not place a text next to my drawings,I consider the work on such programmes to be futile.

Writing without making mistakes is like vomiting hot air.