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" "It was that did it for me. “Dr was an eccentric in the grand manner … he always wore hand-tooled cowboy boots with elaborate curlicues in the stitching and a hat and jacket to match. He was very shortsighted, and tended to stumble along in the purposeful way adopted by the cartoon character Mr Magoo, while mumbling vigorously to himself.”
The Magoo lookalike also carries a whip and a six-shooter, but that is not what matters most about him: what matters is that he was an expert on the s of the .
.. A book that starts with slimy things in the oceans and continues to the dawn of human civilisation in the must offer more than just a procession of challenging concepts and unfamiliar words, and accordingly up pops Mr Magoo, with whom Fortey (himself big on the trilobites of the Ordovician) once shared a hotel room.
(15 February 1946 – 7 March 2025) was an English , and palaeontologist, specialising in s. After graduating with a PhD in geology from the University of Cambridge, he had a long career as curator and palaeontologist at London’s . He was elected in 1997 a Fellow of the Royal Society and in 2007 President of the Geological Society of London. Two of his books became bestsellers. He was awarded in 2000 the , in 2003 the , and in 2006 both the and the .
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In 2011, after retiring from his role as senior palaeontologist at the Natural History Museum, and following a windfall from presenting a TV series, Fortey purchased four acres of prime and wood. Located in the , a mile from his hometown of , Grim’s Dyke Wood is the very patch that had Mill so enraptured two centuries ago. Though it has changed in the intervening years, it is still a glorious spot – Fortey’s initial intention was to use the wood as a way to “escape into the open air”, to record a rich ecology of living wildlife following a career locked away in dusty museums studying dead things. He soon realised, however, that any portrait of the place would be incomplete without its human histories, too.
… if you look back into history, the way the world has divided up into, say, linguistic groups, cultural groups, is ultimately under the control of geology. So, for example, think of the differences between the peoples north and south of the Himalayas.
It’s extremely hard for people to cross – even the individual valleys within the Himalayas have cultural differences. Their history has been controlled to a large extent by those barriers. That’s a great control.
But even on a small scale, the way cities looked – you know, the kind of cities that could be built – was controlled by the rocks that underlay it. For example, you could build tower blocks in New York because you had that nice, firm metamorphic rock to drive your piles down into. And the particular building stones are what have given, well, let’s say the majority of French cities and towns their own peculiar and interesting flavor. So geology controls the character of the world to a large extent.
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One lies upturned on the sand. Its tail sake waggles feebly, quite unable to perform the task of turning the body back over again. Five paris of legs twitch ineffectually in a vain attempt to achieve the same end. I find it impossible to resist the temptation to right the poor animal. It is easy to grasp it by the edges of the head-shield. Once righted again those spindly legs allow the crab to trundle slowly away. Its behaviour seem at once strangely determined, but also apparently random, like the slow progress of a confused old lady on a .