Enhance Your Quote Experience
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
" "The potato seems like a Romantic (organic) object.. ..you can watch it growing if you don’t eat it. It is going to change – grow, rot, disappear. A pebble is like a Classical thing – it changes little if any.. .If it was big you could keep the dead down with it.. ..The Classical idea is not around much anymore. [Der Koning is comparing the Potatoes of Vincent Van Gogh to the Pebbles of Jean Arp.
Willem de Kooning (24 April 1904 – 19 March 1997) was an abstract expressionist painter, born in Rotterdam, Netherlands, who settled in the United States. Along with Jackson Pollock, and others, he was an exponent of Abstract expressionism. Initially, he was strongly influenced by Picasso, Cubism, and Chaim Soutine. He was married with Elaine de Kooning and closely befriended with Arshile Gorky; later with Franz Kline.
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.
But one day, some painter used 'Abstraction' as a title for one of his paintings. It was a still life. And it was a very tricky title. And it wasn’t really a very good one. From then on the idea became something extra. Immediately it gave some people the idea that they could free art from itself. Until then, Art meant everything that was in it – not what you could take off it. There was only one thing you could take out of it sometime when you were in the right mood – that abstract and indefinable sensation, the aesthetic part – and still leave it were it was...
Nature then, is just nature. I admit I am very impressed with it. The attitude that nature is chaotic and that the artist puts order into it is a very absurd point of view, I think. All that we can do for is to put some order in ourselves. When a man ploughs his field at the right time, it means just that.
Enjoy ad-free browsing, unlimited collections, and advanced search features with Premium.
The 'Women' [paintings] had to do with the female painted through all ages, all those idols, and maybe I was stuck to a certain extent; I couldn't go on. It did one thing for me: it eliminated composition, arrangement, relationships, light – all this silly talk about line, colour and form – because that was the thing I wanted to get hold of.