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" "And in this sense [of using 'poor' material / arte povare] I've been influenced by or related to some Dadaist forerunner, Duchamp, Schwitters.. .But there are other aspects of the 'ascetic' function, of the 'sacralisation' of the world around us which I've referred to.. ..the 'supreme identity' of Samsara with Nirvana. The use of new materials, collage and assemblage, became quite widespread among some new artists of that time.
Antoni Tàpies (13 December 1923 – 6 February 2012) was a Spanish Catalan artist, born in Barcelona, who from 1947 on, started to paint in a surrealistic style. Through 'Arte Povare', under the influence of Eastern calligraphy among other things, he soon developed a spontaneous Abstract Expressionism with its own symbolic language.
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In 'Celebració de la mel', Antoni Tàpies, in La peinture et le vide, Fundació Antoni Tàpies, Barcelona, 1993, p. 41 –46
It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.
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