Please do not misunderstand me," he once told Wilson. "We too came into the world with the noble instincts and the lofty aspirations which you expres… - Arthur Herman

With a commander in chief handing out a general license to hunt for spies, it's not surprising Americans responded.

In 1892 the Hungarian doctor and journalist Max Nordau published his Entartung (Degeneration), which he dedicated to Cesare Lombroso. Despite its size (almost six hundred pages), the book became an international bestseller and soon appeared in a dozen languages. Nordau had expanded the Lombrosian analysis to show that "degenerates are not always criminals, prostitutes … lunatics; they are often authors and artists." Charles Baudelaire and the French "decadent" poets, Oscar Wilde (Bram Stoker's original model for Count Dracula), Manet and the Impressionists, Henrik Ibsen, Leo Tolstoy, Emile Zola, as well as Wagner and Friedrich Nietzsche — all the leading lights of fin de siècle culture, in fact — came under Doctor Nordau's critical microscope. He concluded that they were all victims of diseased "subjective states of mind." The modern degenerate artist, like his criminal counterpart, lacks a moral sense: "For them there exists no law, no decency, no modesty." Emotionalism and hysteria, as well as that old disease of Romanticism, ennui , pervade their works and outlook, Nordau proclaimed, because of their enfeebled nervous state. "The degenerate and insane," he wrote, "are the predestined disciples of Schopenhauer."

Being "civilized" had originally meant living under Roman, or "civil," law; but at the dawn of the Renaissance it had come to denote a way of life and law distinct from that of barbarism. It included prohibitions against murder, incest, and cannibalism; belief in a transcendant creative divinity; respect for property and legal contracts; and essential social institutions such as marriage, friendship, and the family.