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" "When Jackson talked about painting he didn't usurp anything that wasn’t himself. He didn't want to change anything, he wasn't using any outworn attitude about it, he was always himself. He just wanted to be in it because he loved it. The response in the person's mind to that mysterious thing that has happened before has nothing to do with 'who did it first'. Tomlin however, did hear these voices and in reference to his early work and its relation to Braque, I like him for that. He was not an academician of Cubism even then; he was an extremely personal and sensitive artist.
Franz Kline (May 23, 1910 - May 13, 1962) was an American painter mainly associated with the Abstract Expressionist group which was centered, geographically, around New York, and temporally, in the 1940s and 1950s; but not limited to that setting. He was a close friend of Willem de Kooning.
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But I've noticed something with other artists who do use the whole range of forms of colours and black - in Albers, for instance, who experiments with yellow, red, blue, the whole scale. Of course I love his colour paintings, but when I see a black-and-white such as 'The Homage to a Black and White Square' [ Josef Albers painted more versions], I like that best, you know. I think it has something to do with deciding just exactly what you really like best. There is always that wonderful element of doubt. I like the black painters really, even if they did work in color.. .. Velasquez.. ..also Tintoretto, and Rembrandt.. .Goya..
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Paint never seems to behave the same. Even the same paint doesn't, you know. In other words, if you use the same white or black or red, through the use of it, it never seems to be the same. It doesn't dry the same. It doesn't stay there and look at you the same way. Other things seem to affect it. There seems to be something that you can do so much with paint and after that you start murdering it..