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What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, … - Ida Friederike Görres
" "What does really happen when the factor of love withdraws from a human relationship? Is it a loss or a gain? Is the real landscape revealed at last, hitherto transfigured, but delusive, too, by the driving mist of fantasy? Is it a perverted vision which finds a glowing cloud more beautiful than the solid truth of a plot of earth? And vice versa, what really happens when the radiance, the glamour, begins to take shape, concentrating on a landscape or on a face?
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About Ida Friederike Görres
Ida Friederike Görres (born Elisabeth Friederike, Reichsgräfin Coudenhove-Kalergi; 2 December 1901, in Schloss Ronsperg, Bohemia – 15 May 1971, in Frankfurt am Main) was a Catholic writer. From the Coudenhove-Kalergi family, she was the daughter, one of seven children, of Count Heinrich von Coudenhove-Kalergi and his Japanese wife Mitsuko Aoyama.
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Additional quotes by Ida Friederike Görres
We're always being told that the Fall had nothing whatever to do with sex. No, I can't believe this any more...Not that procreation, as such, would never have been without the Fall. That's nonsense, to my mind; but somehow or other it would have been different...If it's true that St Thomas held other and more optimistic views on this subject, this doesn't disconcert me one bit. Maybe an angel-type, as he was, endowed with the charism of virginity, would be incapable of realizing the depth of the Fall in this domain. What is always attributed to the latent Manicheism in St Augustine might well be the realism of experience.
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I'm reading Günther Anders' Die Antiquiertheit des Menschen (The Antiquity of Man)..That bit about Promethean shame impressed me..observations about the shame of being oneself, the reluctance at stepping out of line, of being forward, of being looked at. This is entirely true to life...Yet it's just as natural to man to want to be seen, to want to be outstanding, to be regarded, as to want to hide - and both these instincts - for that's what they are - clash, often with equal force...How clearly I see the Little Flower in this light: from earliest days the focal point for her whole family, yet on the other hand sincerely desiring to be hidden, taking the veil - and so wonderfully unveiled to posterity, revealed to the world, set up as an image, i.e. to be looked at!
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