I associated it [the word 'Hourloupe', as title of his longest series of work he made exclusively from 1962 to 1974] by assonance with 'hurler' (to s… - Jean Dubuffet

The painting will not be looked at passively, not embraced all at once by an observer's immediate gaze. But relived in its elaboration, remade by thought and if I dare say reacted.. .All the gestures made by the painter, he [the observer] feels them reproduced in him.

[Dubuffet marvels at the desert as a chaotic palimpsest, filled with marks and signs] ..like an immense notebook of disorganization, a notebook of improvisation.. ..an elementary school blackboard full of scribbles..

I want my street to be crazy, I want my avenues, shops and buildings, to enter into a crazy dance, and this is why I deform and distort their outlines and colours. However I always come up against the same difficulty, that if all the elements were one by one deformed and distorted excessively, if in the end nothing remained of their real outlines, I would have totally effaced the location that I intended to suggest, that I wished to transform.