And it means snapshots, because that's what all stories I write come down to; each is a snapshot of who I was during however many days and weeks it w… - Caitlín R. Kiernan

I'm not kidding, and I'm not being hyperbolic — sometimes I hate this thing I do more than I could ever say. Sometimes, it seems that I spend my days dragging people whose only crime is that I am their creator through the filth and pain and degradation of my own despicable imagination. Where is the good in this? Where is the resolution? Where is the sense of it? If I had even a scintilla of belief in a "higher" intelligence of any sort, days like yesterday (and, by extension, today) would, on the one hand, give me some degree of sympathy for the idiot dieties unable to craft a better universe, and, on the other hand, it makes me grateful I have no such beliefs, because the anger I would have for that "higher" whatever would be inexpressible. And I cannot imagine that there are actually people out there — self-professed "horror" writers — who are trying to elicit these emotions in others, who are purposefully driving their characters on through all the futile, dead-end nightmares that might be devised. I would not do this. I swear I would not do this, if I could find other words in me.

Sometimes, I think that the most alien thing to mankind is mankind itself. The real aliens live next door or across the border or somewhere overseas. Each man and woman defines the world about them, creating a set of those things which they consider "normal" and "good" and "evil" and "sympathetic" and "likable," and these are damned indomitable walls. They are high and thick, and it is the task of the writer to penetrate or scale them. To break in. To shatter preconceptions. To force people to rethink cherished opinions and prejudices.

[On test audiences and alternate endings on DVDs] Seeing these two endings, knowing that the studio most likely chose the one that would close the film after polling test audiences, makes me a little ill. What if I did that with my novels? What would you think of me, if I were to so subvert the act of storytelling and mythmaking in an effort to make more money (by, I might add, perverting democracy)? Okay, at the end of Low Red Moon, I can kill Chance, or I can let her live. Which ending do you prefer? Check the box, and let us know. Should Orpheus make it back to the surface without looking to see if Eurydice is truly following him, or should he look? Should the mouse pull the thorn from the lion's paw, or should he mind his own damned business? I can only hope that it is self-evident that this process is as alien and destructive to art as anything ever could be. Yes, I'm sure it makes people more money, and money is nice, but it has very little to do with telling good and true and useful stories.