Thomas watched him for a few minutes. Pop was good-looking, muscular, and his hair was almost gold even though it was getting a little thin on top. T… - Patricia Reilly Giff

But that was a realworld, and he didn't have to put it down on paper. He ripped the page out of the book, tore it into shreds, and threw them behind the tree, where they settled into the weeds.

He knew what she'd be reading first as she started from the beginning, reading what he'd had to say when he was younger, and then growing older, stories at first about tiny mice who lived in families in back of the wall, and stories about school, and apartments in Greenpoint and Carnasie and Flatbush, elves in Ireland that he'd pictured as Pop had told him about them, and the woman with lace on her sleeves. She kept turning pages, and then halfway through, she whispered, "Water Street." Thomas knew she was reading now about a boy who listened at a register, thinking about a family, and a lighthouse, and then she turned the next page and took a breath. It was the story he really wanted her to see: a story about a girl who though less of herself than everyone else did, who worried about everyone, even when she didn't want to, even when it made her irritable. A girl who was afraid, and who hardly knew it yet, but was on her way to being a healer like her mother, because there'd never be anything else for her, and how lucky they were just to know her.

What was the use of writing if someone didn't read what you have to say?