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" "I think that most funny and mysterious thing is creating characters. It looks, in the beginning, that I’m really inventing because I need a character, a personality to the story, to my story. But in fact, it looks rather like those characters are coming from outside to my story, so, they are already existing somewhere and there are the first step is that they look rather shapely, only cloudy, not in a physical way, but there is another step of this process when I can hear what they are talking between each other or when they are talking to me. So, this is the best moment in my writing. It must be special, very deep and special connection, relationship between me as a narrator, me as an author and my characters and for sure they are taking from me many things, but I’m also, I’ve learned from them. Sometimes they surprise me because of somethings I didn’t know about them, so, it’s really very mysterious. I’m going to write about it. And of course, there are many dimensions of writing because first of all you need to make a research or even to invent an entire story, to support yourself by another books, other ideas, to talk with people, to make some notes. And then there is a beginning of writing and sculpturing the entire story. So, it’s so many dimensions that it’s never boring really, and they like it. This is my only one profession, I cannot do anything else, so.
Olga Nawoja Tokarczuk (born 29 January 1962) is a Polish writer, activist and public intellectual. She is one of the most critically acclaimed and successful authors of her generation in Poland; in 2019, she was awarded the 2018 Nobel Prize in Literature as the first Polish female prose writer. For her novel Flights, Tokarczuk has been awarded the 2018 Man Booker International Prize.
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I think that first-person narration is very characteristic of contemporary optics, in which the individual performs the role of subjective center of the world. Western civilization is to a great extent founded and reliant upon that very discovery of the self, which makes up one of our most important measures of reality. Here man is the lead actor, and his judgment—although it is one among many—is always taken seriously. Stories woven in first person appear to be among the greatest discoveries of human civilization; they are read with reverence, bestowed full confidence. This type of story, when we see the world through the eyes of some self that is unlike any other, builds a special bond with the narrator, who asks his listener to put himself in his unique position.
I know that there are many kinds of studying, called creative writing for instance and the people then trying to learn how to write, how to live in writing, because for me, writing is rather a psychological process, not just the process of writing on a paper, even not inventing a story, but something which is very deeply connected with our psychological side. So, I think that there is only one advice, to read, to read. I think read and read, and for every single one written page it is always one thousand pages which should be read.
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I don’t want to sketch an overall vision of crisis in telling stories about the world. But I’m often troubled by the feeling that there is something missing in the world―that by experiencing it through glass screens, and through apps, somehow it becomes unreal, distant, two-dimensional, and strangely non-descript, even though finding any particular piece of information is astoundingly easy.