I tell my students to write of their true subjects. How will they know when they are writing of their true subjects? By the ease with which they writ… - Joyce Carol Oates

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I tell my students to write of their true subjects. How will they know when they are writing of their true subjects? By the ease with which they write. By their reluctance to stop writing. By the headachy, even guilty, joyous sensation of having done something that must be done, having confessed emotions thought unconfessable, having said what had seemed should remain unsaid. If writing is difficult, stop writing. Begin again with another subject. The true subject writes itself, it cannot be silenced. Give shape to your dreams, your day-dreams, cultivate your day-dreams and their secret meanings will come out.

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About Joyce Carol Oates

Joyce Carol Oates (born June 16, 1938) is an American author who has published 58 novels, plays and novellas, as well as volumes of short stories, poetry, and nonfiction. Oates taught at Princeton University from 1978 to 2014 and is the Roger S. Berlind '52 Professor Emerita in the Humanities with the Program in Creative Writing. She is a visiting professor at the University of California, Berkeley where she teaches short fiction.

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Also Known As

Pen Names: Rosamond Smith Lauren Kelly

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The spectacle of human beings fighting each other for whatever reason, including, at certain well-publicized times, staggering sums of money, is enormously disturbing because it violates a taboo of our civilization. Many men and women, however they steel themselves, cannot watch a boxing match because they cannot allow themselves to see what it is they are seeing. One thinks helplessly, This can’t be happening, even as, and usually quite routinely, it is happening. In this way boxing as a public spectacle is akin to pornography: in each case the spectator is made a voyeur, distanced, yet presumably intimately involved, in an event that is not supposed to happening as it is happening. The pornographic "drama," though as fraudulent as professional wrestling, makes a claim for being about something absolutely serious, if not humanly profound: it is not so much about itself as about the violation of a taboo. That the taboo is spiritual rather than physical, or sexual — that our most valuable human experience, love, is being is being desecrated, parodied, mocked — is surely at the core of our culture’s fascination with pornography.

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