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" "Never as neat or well organized as many descriptions suggest, in essence feudalism involved the exchange of grants of land for military and political service, sealed by personal oaths between the lord and the vassal. The castle has been called the perfect architectural expression of the European feudal age.
Marilyn Stokstad (February 16, 1929 – March 4, 2016) was an American art historian of medieval and Spanish art, Judith Harris Murphy Distinguished Professor Emerita of Art History at the University of Kansas, and an author of art-history textbooks.
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As they captured each territory, William and his men secured their camps with simple earth and timber defenses characteristic of northern Europe (...). These wooden structures have disintegrated, but sometimes their earthen mounds survive as rolling hills or picturesque elements in the landscape. Timber castles were especially useful to a warrior king like William the Conqueror who moved rapidly to bring new territories under control. The earth and timber castles could be built quickly, since the newly moved earth did not have to support great weight. Such structures were also relatively cheap because they required no specialized masons and expensive stone. Since the timber building tradition was widespread both in the British Isles and on the continent, the carpenters knew the building techniques. These castles were essentially towers and stockades; they provided garrison headquarters as well as residences.
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Just as towers and crenellations indicated a building’s status, so the crenellated wall signified a castle in the visual arts and in that distinctive medieval sign language known as heraldry. The heraldic symbol of the kingdom of Castile, for example, consisted of a wall and three crenellated towers. This simple composition was easily recognized and reproduced.