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" "Why does the story of Kumarasambhava please me? It is because of the symbolism. Finally what Parvati wins is not passion but the devotion and sublimation of herself. Parvati wins Siva and she becomes united with Him, because she has discovered the greater, indeed the only way of discovering God. This is very beautiful symbology. Siva burnt to ashes all that is physical. So must a dancer or musician burn to ashes all thought which is dross and bring out the gold which is within.
Rukmini Devi Arundale (29 February 1904 – 24 February 1986) was an Indian theosophist, dancer and choreographer of the Indian classical dance form of Bharatnatyam, and also an activist for animal rights and welfare. She is considered the most important revivalist in the Indian classical dance form of Bharatnatyam from its original 'sadhir' style, prevalent amongst the temple dancers, Devadasis. She was well known for her pioneering academy - the Kalakshetra in Chennai, India.
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Actually, dance forms an intrinsic part of worship in the temples. . . . India alone has a concept of a God who dances. Siva is Nataraja, Lord of dancers, who dances in the Hall of Consciousness and weaves into it the rhythm of the Universe. Within His Cosmic Dance are included the Divine prerogatives of Creation, Preservation, Regeneration, Veiling and Benediction . . . Dance in India has been so closely linked with religion, that today it is impossible to think of it divorced from this essential background.