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" "Probably even more than the architecture I'd be drawn to landscape. That's my first love, landscape.. .All kinds of landscape, if it's not cluttered up and vandalised. Yesterday we went out to Blenheim, and I love the flatness and the trees. I like all kinds. And where I'm from, the central valley of Virginia, is not one of the most exciting landscapes in the world, but it's one of the most beautiful. It's very beautiful because it has everything. It has mountains, there are streams, there are fields, beautiful trees. And architecture sits very well in it.. .And I've always lived in the south of Italy, because it’s more excitable. It's volcanic. The land affects people naturally, that's part of the characteristics, for me, of a people, in a sense.
Cy Twombly (April 25, 1928 - July 5, 2011) was an American painter, sculptor and photographer, creating abstract art. He belonged to the generation of Robert Rauschenberg and Jasper Johns; Twombly made the specific choice to live in Europe, Italy - after 1957.
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I've found when you get old you must return to certain things in the beginning, or things you have a sentiment for or something. Because your life closes up in so many ways or doesn't become as flexible or exciting or whatever you want to call it. You tend to be nostalgic. And I think about my boats. It's more complicated than that, but also it's going out and also there's a lot of references to crossing over. But the thing of the Nile boat in Winter's Passage: Luxor was about the wonderful thing, the lazy thing, of being two or three months in Luxor by the river. It was just that, it explains a winter passage. From a certain point to the other side: it's like the Greek boat that ferries you over to the other world. That sculpture didn't have it. But sometimes the large painting in Houston does have it. It's a passage through everything.