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" "I am not interested in illustrating my time. A man’s 'time' limits him; it does not truly liberate him. Our age – it is of science – of mechanism – of power and death. I see no point in adding to its mammoth arrogance the compliment of graphic homage.
Clyfford Still (November 30, 1904 – June 23, 1980) was an American painter, and one of the leading figures of Abstract Expressionism. He was considered one of the foremost Color Field painters, together with Mark Rothko, Adolph Gottlieb and Barnett Newman. Still's non-figurative paintings are largely concerned with juxtaposing different colors and surfaces in a variety of not regular forms.
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The work itself, whether thought of as image of idea, as revelation, or as a manifest of meaning, could not have existed without a profound concern to achieve a purpose beyond vanity, ambition or remembrance, for a man’s term of life. Yet, while one looks at his works, a warning should be given, lest one forget, among the multitude of issues, the relation I bear to those with 'eyes'. Although the reference is in a different context and for another purpose, a metaphor is pertinent as William Blake set it down: THE Vision of Christ that thou dost see – Is my Vision’s Greatest Enemy: - Thine is the friend of All Mankind, - Mine speaks in parables to the Blind: 'Therefore, let no man under-value the implications of this work or its power for life; - or for death, if it is misused'.