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Hegel showed a far more modem approach when, during the same period, he compared the discovery of Sanskrit to that of a new continent because, in his… - Georg Wilhelm Friedrich Hegel
" "Hegel showed a far more modem approach when, during the same period, he compared the discovery of Sanskrit to that of a new continent because, in his view, it established "historic ties between the German and Indian peoples with all the certainty that can be required in dealing with such a subject" .&1 It was for this reason that he promoted the grand conception of the Indians as colonizers of Europe to the rank of irrefutable fact, in contrast to the fabulations (Erdichtungen) with which history is familiar: In the cohesion between the languages of peoples so widely separated from each other ... we are faced with an outcome which shows us that the dispersion of these peoples, starting from Asia, and their distinct evolution beginning with the same common ancestry, is an irrefutable fact (unwidersprechliches Faktum). This has nothing to do with hypothetical combinations of circumstances, great or small, which have enriched history with so many fabulations presented as facts, and which will continue to do so, since fresh combinations of the same circumstances, or of these with others, will always be possible.
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About Georg Wilhelm Friedrich Hegel
Georg Wilhelm Friedrich Hegel (27 August 1770 – 14 November 1831) was a German philosopher considered one of the most important figures in German idealism. He is one of the fundamental figures of Western philosophy, with his influence extending to the entire range of contemporary philosophical issues, from aesthetics to ontology to politics, both in the analytic and continental tradition.
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Also Known As
Alternative Names:
George William Frederick Hegel
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G. W. F. Hegel
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Hegel
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G.W.F. Hegel
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GWF Hegel
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Additional quotes by Georg Wilhelm Friedrich Hegel
If we are in a general way permitted to regard human activity in the realm of the beautiful as a liberation of the soul, as a release from constraint and restriction, in short to consider that art does actually alleviate the most overpowering and tragic catastrophes by means of the creations it offers to our contemplation and enjoyment, it is the art of music which conducts us to the final summit of that ascent to freedom.
In connection with Kant we must here begin by speaking of Jacobi, whose philosophy is contemporaneous with that of Kant; in both of these the advance beyond the preceding period is very evident. The result in the two cases is much the same, although both the starting point and the method of progression are somewhat different. In Jacobi's case the stimulus was given mainly by French philosophy, with which he was very conversant, and also by German metaphysics, while Kant began rather from the English side, that is, from the skepticism of Hume. Jacobi, in that negative attitude which he preserved as well as Kant, kept before him the objective aspect of the method of knowledge, and specially considered it, for he declared knowledge to be in its content incapable of recognizing the Absolute: the truth must be concrete, present, but not finite. Kant does not consider the content, but took the view of knowledge being subjective; and for this reason he declared it to be incapable of recognizing absolute existence. To Kant knowledge is thus a knowledge of phenomena only, not because the categories are merely limited and finite, but because they are subjective. To Jacobi, on the other hand, the chief point is that the categories are not merely subjective, but that they themselves are conditioned. This is an essential difference between the two points of view, even if they both arrive at the same result.
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