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" "Homer is the most simple in his style of all the great poets, and resembles most the style of the poetical parts of the Old Testament. They can have no conception of his manner, who are acquainted with him in Mr. Pope's translation only. An excellent poetical performance that translation is, and faithful in the main to the original. In some places, it may be thought to have even improved Homer. It has certainly softened some of his rudenesses, and added delicacy and grace to some of his sentiments. But withal, it is no other than Homer modernised. In the midst of the elegance and luxuriancy of Mr. Pope's language, we lose sight of the old bard's simplicity. I know indeed no author, to whom it is more difficult to do justice in a translation, than Homer.
Hugh Blair, FRSE (7 April 1718 – 27 December 1800) was a Scottish minister of religion, author and rhetorician, considered one of the first great theorists of written discourse. As a minister of the Church of Scotland, and occupant of the Chair of Rhetoric and Belles Lettres at the University of Edinburgh, Blair's teachings had a great impact in both the spiritual and the secular realms. Best known for Sermons, a five volume endorsement of practical Christian morality, and Lectures on Rhetoric and Belles Lettres, a prescriptive guide on composition, Blair was a valuable part of the Scottish Enlightenment.
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In whatever light we view religion it appears solemn and venerable. It is a temple full of majesty, to which the worshiper may approach with comfort, in the hope of obtaining grace and finding mercy; but where they cannot enter without being inspired with awe. If we may be permitted to compare spiritual with natural things, religion resembles not those scenes of natural beauty where every object smiles. It cannot be likened to the gay landscape or the flowery field. It resembles more the august and sublime appearances of Nature — the lofty mountain, the expanded ocean, and the starry firmament; at the sight of which the mind is at once overawed and delighted; and, from the union of grandeur with beauty, derives a pleasing but a serious devotion.
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How shocking must thy summons be, O Death!
To him that is at ease in his possessions!
Who, counting on long years of pleasure here,
Is quite unfurnished for the world to come.
In that dread moment, how the frantic soul
Raves round the walls of her clay tenement;
Runs to each avenue, and shrieks for help;
But shrieks in vain.